A Quote by Frank Robinson
I don't see why you reporters keep confusing Brooks (Robinson) and me. Can't you see that we wear different numbers.
Related Quotes
I'm beginning to see Brooks [Robinson] in my sleep. If I dropped a paper plate, he'd pick it up on one hop and throw me out at first.
Why are numbers beautiful? It’s like asking why is Beethoven’s Ninth Symphony beautiful.
If you don’t see why, someone can’t tell you. I know numbers are beautiful.
If they aren’t beautiful, nothing is.
Literally, no man ever sees himself as others see him. No photograph or reflection ever gives us the same slant on ourselves that others see. It has often been proved on the witness stand that no two people ever see the same accident precisely the same way. We see through different eyes and from different angles. But if we could see things as other people see them, we could come closer to knowing why they do what they do and why they say what they say.
I won 1,098 games, and eight national championships, and coached in four different decades. But what I see are not the numbers. I see their faces.
They yell at me because I can't see what they see. Nobody can explain to me why my eyes work different than theirs.
The brooks flow to their lover, the sea, and the flowers smile at the object of their passion, the light. The mist rolls down to its beloved, the valley. And I? In me is what brooks do not know, what flowers do not hear, what the mist does not apprehend. You see me alone in my love, solitary in my yearning.
Who are you?" Violet asked. It is confusing to fall asleep in the daytime and wake up at night. "what are you doing with Uncle Monty's reptiles?" Klaus asked. It is also confusing to realize you have been sleeping on stairs, rather than in a bed or sleeping bag. "Dixnik?" Sunny asked. It is always confusing why anyone would choose to wear a plaid shirt.
I lift my arm out of the water. It's a log. Put it back under and it blows up even bigger. People see the log and call it a twig. They yell at me because I can't see what they see. Nobody can explain to me why my eyes work different than theirs. Nobody can make it stop.
What's odd about it is that I see it as these moments and then other people, I'll reply to someone, and they're like, "Follow me back, let's be friends!" and I'm like, "See, on the train you have a great conversation between stops and you don't necessarily exchange phone numbers. It's not that deep, actually. Why can't the moment just be what it is?"
I was reading Emily Dickinson and Edwin Arlington Robinson, but these weren't the poets that influenced me. I think Gwendolyn Brooks influenced me because she wrote about Chicago, and she wrote about poor people. And she influenced me in my life by giving me a blurb. I would see her in action, and she listened to every single person. She didn't say, "Oh, I'm tired. I gotta go." She was there, and present, with every single person. She's one of the great teachers.
With 'Being the Elite' you'll see some of the most innovative stuff, but it's going to be very different then the weekly TV show. But that's by design and I want to keep it that way so you'll have outlets to see different things.
Brooks Robinson belongs in a higher league.
There's no right way. There's no measurement system. That's why, you know, art competitions are a little confusing to me. I mean, they're lovely, but so many people are affected by different people and different things in such different ways. And yeah, it's immeasurable.
I am very picky with my career. I don't need to do it for the money or the fame. I'm very choosy, which is why I haven't played the typical role that people expect to see from someone of my stature and size, as the mean jock or the preppy. It's very easy to see me like that. That's why I go against it in different roles.
I'm always begging people like James Brooks and Cameron Crowe to come to screenings, to see what they make of it, and they're always ridiculously helpful. They also keep me brave enough to commit to what I'm trying to do. They can be great cheerleaders for risk-taking.
Seeing a photograph of myself is often pretty jarring. Why is it that the vision I see of myself in a photo is so different than the one I see in a mirror - not to mention the "self" that I see in my mind's eye? Pondering it can pretty easily cast me into a vortex of self-doubt, wondering how the me that people experience - my voice, my personality, my creative expression - is regarded without my knowledge.
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