A Quote by Frank Shamrock

I used to live on the streets. — © Frank Shamrock
I used to live on the streets.
I was one of the first post-studio artists. I used to do my works in the streets. I used to find them in the streets, and I used to leave them in the streets.
My childhood is streets upon streets upon streets upon streets. Streets to define you and streets to confine you, with no sign of motorway, freeway or highway.
As a kid growing up in the back streets of Dublin I used to pretend I was playing in the World Cup with my mates out on the streets, and now I will be doing it for real.
We live in such a hyperliterate world, soaked and saturated in writing: on our machines, on the streets, on our television screens. It's just that writing doesn't live in the boxes that it used to. The genie is out of the bottle. But that just means that the magic could be anywhere.
The streets of India are not safe for children, and every year, thousands are forced to live on the streets, avoiding being kidnapped or worse.
The types of songs I used to do, I used to sing a lot for the streets.
My mom and dad are from the streets. My mom's from Chicago. My dad's from Memphis. My dad got out of school and got with my mom. They were hustlers. They were from the streets. They were doing their thing. The streets ain't got no love for the streets. You can light up the streets, or be a victim of the streets.
I live in a country where I'd say nine out of ten people know me when I walk through the streets. There's people taking pictures, there's tabloids trying to make up stories. I'm used to that. The same thing when I'm in Australia or the U.K.: I get stopped.
I wasn't from the streets, but I was in the streets. I had a good family, nice home - you know, I can't say I grew up with nothing... but I chose to hang in the streets.
One of the things that sells music is when the artist is looked at as someone who's come up from the streets. Not just any streets, but the toughest, meanest streets of the urban ghetto. And that's called 'street credibility.'
One of the things that sells music is when the artist is looked at as someone who's come up from the streets. Not just any streets, but the toughest, meanest streets of the urban ghetto. And that's called 'street credibility'.
I tried to be like the richer kids as much as I could because I wanted to live on their streets, at least hang out on their streets and eat their amazing food and walk barefoot on their shag carpets. I became something of a pest in that way, and in general, other people's parents didn't like me.
Wherever the title of streets and parks may rest, they have immemorially been held in trust for the use of the public and, time out of mind, have been used for purposes of assembly... and discussing public question. Such use of the streets and public places has, from ancient times, been a part of the privileges, immunities, rights, liberties of citizens. The privilege of a citizen of the United States to use the streets and parks for communication of views on national questions may be regulated in the interest of all... but it must not, in the guise of regulation, be abridged or denied.
I don't think about returning to the streets, 'cause I don't have any plans to return to the streets. I'm at another level in my life. Returning to the street - I still be in my streets when I get time to, when it's necessary.
I used to run the streets, my mom used to be crying all the time, coming to get me out of the police station all the time. Sports took me off the street.
I used to get money and hustle and do it in the streets.
This site uses cookies to ensure you get the best experience. More info...
Got it!