A Quote by Frank Sinatra Jr.
The first time people come to see me, it's usually because they're curious. Then maybe some of them return. I look out in the audience and see the same faces, the same wonderful, loyal faces.
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To see old faces, to give back to the kids and let them know I come from these same schools and streets, and they can make it out, too, that's my biggest message to them.
If one tries to think about history, it seems to me - it's like looking at a range of mountains. And the first time you see them, they look one way. But then time changes, the pattern of light shifts. Maybe you've moved slightly, your perspective has changed. The mountains are the same, but they look very different.
That makes a difference when you have all these Asian faces running then getting elected. You have some 30 people, many of them Democrats, running for Congress. When the community sees the other faces who look like them can run and win, I think it encourages them.
Steve Jobs was not an engineer: He was a brilliant individual with this ability to see around corners, to see things that other people couldn't see. I've learned over the years in the Apple that there are some really talented people who can take the same evidence, the same facts, and look at them and see them in a way that interprets those facts entirely different than most people do.
Each time, I try to find a family of interesting faces. I follow the tradition of films from the 40s - at this time, there were so many interesting faces in France. I often work with the same because there are not thousands and thousands in France. I'm looking for interesting faces and characters actors, and it's not for everybody.
It's funny, but certain faces seem to go in and out of style. You look at old photographs and everybody has a certain look to them, almost as if they're related. Look at pictures from ten years later and you can see that there's a new kind of face starting to predominate, and that the old faces are fading away and vanishing, never to be seen again.
It's more interesting to see new people on the screen when you go to the cinema. I don't want to see the same old faces.
When you see the same familiar faces, it's nice when you get a chance to play with the same musicians. You start to develop this shorthand so everybody knows where you're at and where you're going, but then again, there are always surprises. But the more people are comfortable with the material, the more free you can be with the music.
I think historically it's good for younger people to see where so much influence has come from. If you're using my mother as a role model it gives women permission to be kooky and wonderful and individual and unique and loyal and independent all at the same time.
I think, as you move to the upper ranks of science - ranks being positions of influence and access - you see fewer female faces. And I think the basic reason is the same reason that you don't see a lot of female faces in Congress or on the Supreme Court or on the directing board of Fortune 500 companies.
'Penthouse' didn't seem to concentrate as much on the girls' faces, and I really wanted to see the girls' faces. It seems like through the 1980's, they almost went out of their way to obscure the girls' faces.
Penthouse' didn't seem to concentrate as much on the girls' faces, and I really wanted to see the girls' faces. It seems like through the 1980's, they almost went out of their way to obscure the girls' faces.
I just play to the people I can see. So it's almost like you are playing to the first few rows of the crowd. You can see the faces of the first hundred people, but then it becomes a blur as the crowds disappear over the hill.
That's why you have the long hours in the studio and on sets: so you can come out and see the fans. To see the smiles you put on people's faces.
I want to hear raucous music, to see faces, to brush against bodies, to drink fiery Benedictine. Beautiful women and handsome men arouse fierce desires in me. I want to dance. I want drugs. I want to know perverse people, to be intimate with them. I never look at naive faces. I want to bite into life, and to be torn by it.
When I write, I speak with ghosts for years, and I see images that are a little bit out of focus. I see faces, but the faces change. At the moment that it's a real human being that's flesh and bone, it changes a character. It's much more precise and complex.
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