A Quote by Frank Sinatra Jr.
There is a common misconception that when you're a singer working for a recording company you get to pick everything you're doing. Very few people have been accorded such a luxury.
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The most common misconception about me is that I'm basically a jazz singer.
There's only been a very few times when I'm recording something and I get shivers.
I was accorded the opportunity to learn by failing - albeit at the cost of a few honourable teachers' sanity - and now I realise what a rare and incredible luxury that is.
When I was doing Goodenough, I'd hired a few people to work in my office, but then, toward the end of the '90s, I decided that this is not what I should be doing. I didn't want to make a big company and have to hire lots of people. I felt like I was better as an independent or as a solo operator. So I made the decision to finish everything and work alone just with an assistant or two. Although maybe there isn't the potential that there is in having a bigger company, it's good for me.
I haven't been in a position to have the luxury to pick roles for most of my career, so I'm not practiced in that. Usually, when you want to be an actor, you take whatever comes along. If there's an audition, you go for it. If you get the job, you do it - just to get experience, to act, to meet people.
Luxury, so far as it reaches the people, will do good to the race of people; it will strengthen and multiply them. Sir, no nation was ever hurt by luxury; for, as I said before; it can reach but a very few.
I had been, like, 'I don't wanna be a singer anymore', so dramatic, but when I was recording with Brian Higgins I was like, oh my god I love this, I love these songs, I love what this is. And then we just kept on working and working until we got more songs.
I've had a tremendous career and I get more phone calls from people who've been on 'X Factor' asking how they get on the ships. The ships are a very lucrative job for any singer and I would advise any singer to go and work on them and try it for a while. If you are not good enough, you will not get on.
I had a blast doing it. I mean, I love, love, love my work as a voice over actress and I've been doing it for 15 years, but I've trained as a singer and I am a singer and this is what I've always wanted to do. To get the opportunity to marry these two things that I love so much, it's been a dream, without a doubt. I'm sort of pinching myself still.
I'm from the generation that's always been recording, from the very beginning. I learned to play the guitar on the four-track. I started listening to music at a time when people were doing recording at home, when the discussion about songwriting correlated to the discussion about producing and engineering. I think that's a description of my generation.
I've just been so lucky. I don't know if you're really able to take advantage of your full potential until you're older. There are a few people who are incredibly gifted and make it when they are very young, but I didn't. With women it takes longer. You just keep working and when you finally get it, it feels very, very nice.
There is nothing to compare with the instantaneous feedback a singer gets from the people sitting in front of him. That is where it all comes together - all the rehearsing and working to get everything just exactly right.
'The Outsider' is a culmination of a lot of things I've been working diligently toward as a recording artist. Hopefully it will render my past pigeonholing obsolete while positioning me more solidly as a socially conscious American singer/songwriter. Wouldn't that be entertaining?
Boom, I move to L.A. after doing 'Aftershock,' and I've been actually working here. So it's all been 'boom'; it's all been 'boom' everything. It's so exciting. It's been amazing. I'm a very lucky girl.
The common misconception is that as an actress you have to learn what you're doing. No, you just have to make the audience think you've learned it.
Pick three key attributes or features, get those things very, very right, and then forget about everything else… By focusing on only a few core features in the first version, you are forced to find the true essence and value of the product.
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