A Quote by Frank Skinner

I have spoken to many broadcasters about bringing poetry to television and they're usually not keen. — © Frank Skinner
I have spoken to many broadcasters about bringing poetry to television and they're usually not keen.
Mediocre prose might be read as an escape, might be spoken on television by actors, or mouthed in movies. But mediocre poetry did not exist at all. If poetry wasn't good, it wasn't poetry. It was that simple.
Spoken word poetry is the art of performance poetry. I tell people it involves creating poetry that doesn't just want to sit on paper, that something about it demands it be heard out loud or witnessed in person.
To me, poetry is spoken - not exclusively, but there's a mix of languages in it. That's what I liked about 'For the Confederate Dead;' it has many different tones to it.
Sylvia Plath, Rumi, there's a lot of spoken word poets who do a really incredible job putting their spoken work into page poetry - that's what I strive to do.
I think you can perform any poem. But what I believe is that the best examples of spoken word poetry I've ever seen, are spoken word poems that, when you see them, you're aware of the fact they need to be performed. That there's something about that poem that you would not be able to understand if you were just reading it on a piece of paper.
Words spoken cannot be recalled, and many a man and many a woman who has spoken a word at once regretted, are far too proud to express that regret.
I remember one of the legendary German broadcasters saying, "Germany's future is America's present," and it really was that with the penetration of television.
If you look at the history of broadcasting, what you find is the National Association of Broadcasters is a trade association whose mission is to protect the interests of the commercial broadcasters.
'Psych' was so many different things, and they evolved in so many different ways over the years, and towards the end there, we were barely solving mysteries anymore. We were just paying homage to our favorite movies, television shows, and bringing through as many '80s icons as we possibly could.
My first spoken word poem, packed with all the wisdom of a 14-year-old, was about the injustice of being seen as unfeminine. The poem was very indignant, and mainly exaggerated, but the only spoken word poetry that I had seen up until that point was mainly indignant, so I thought that that's what was expected of me.
Prose-it might be speculated-is discourse; poetry ellipsis. Prose is spoken aloud; poetry overheard.
Any reflection about poetry should begin, or end, with this question: who and how many read poetry books?
I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens.
I've got mixed feelings about poetry cause done well poetry is fantastic. But not many people are capable of doing it well. I think you should have some kind of license to perform poetry. A poetic license perhaps.
Every day on the set, things change. You move things around. The actors are creating the roles and bringing them to life, and bringing the moments to life, as they happen. That's the best thing about television. I think it gets misunderstood, when there's one credit that says, "Written by," because that's certainly not the way it happens, in real life.
American families want high-quality children's television programming. Unfortunately, due to outdated rules, broadcasters are hamstrung from meeting market demand.
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