A Quote by Frank Skinner

It is so rubbish when comics belittle their children in the misguided belief that it makes them look cool. — © Frank Skinner
It is so rubbish when comics belittle their children in the misguided belief that it makes them look cool.
I don't think comics use iconic forms - or they don't have to. But that makes them even more "cool," if I understand the idea. One has to be quite involved to make comics work. Signals have to be decoded on both the verbal and visual level, simultaneously, and the reader must do a lot of cognitive work between panels as well. Comics definitely need an engaged reader.
Look at Scottish guys wearing kilts - you could look at them and laugh, but the way they carry themselves, how can you? You can wear some of the weirdest things and be cool. If you believe in it, that's what makes it cool.
I don't think it's a coincidence that comic books appeal so strongly to children. Not that it negates any of their power for adults, but there is something about comics that makes them a perfect storytelling system for children.
Most of the time it's not the Europeans who belittle us. What happens when we look at them is that we belittle ourselves. When we undertake the pilgrimage, it's not just to escape the tyranny at home but also to reach to the depths of our souls. The day arrives when the guilty must return to save those who could not find the courage to leave.
Cool is spent. Cool is empty. Cool is ex post facto. When advertisers and pundits hoard a word, you know it's time to retire from it. To move on. I want to suggest, therefore, that we begin to avoid cool now. Cool is a trick to get you to buy garments made by sweatshop laborers in Third World countries. Cool is the Triumph of the Will. Cool enables you to step over bodies. Cool enables you to look the other way. Cool makes you functional, eager for routine distraction, passive, doped, stupid.
We dress them [children] in the presumptions of the world. They are the bright small face of hope. They are the last belief we have, the belief in making them believe.
There's an admirable belief about the virtues of meritocracy - that the best ideas prove the best results. It's a wrong and misguided belief by well-intentioned people.
I like collecting comics, I like buying comics, I like looking at comics, but I also read comics on digital readers, so any way people read comics is fine with me. Digital is just helping people who might not necessarily have access to comics help them; that's great.
In early comics, you see the amazing awkwardness and bizarre reasoning in the storyline, and it's because comics hadn't really been invented yet. There was no format for them to follow. They were just making it up. So I try to incorporate that kind of awkwardness in my comics quite frequently, which is odd. In some ways, I can't be as awkward as I'd like. But I do think that's one way in which my comics are unusual, because I will try to make the artwork look bad, occasionally.
Cool is not just one type of cool. Cool is confidence and knowing, i guess, what you are and being fine with it. Some people can be what people call “nerds” and they're cool because they know they're needs. They know what they are and they're so confident in knowing what they are that that makes them cool, and somebody aspires to be like them because they're fine with it. it's confidence, you know.
It's too bad for us "literary" enthusiasts, but it's the truth nevertheless -- pictures tell any story more effectively than words . . . If children will read comics . . . why isn't it advisable to give them some constructive comics to read?.
All the subject matter I talk about isn't new; all comics talk about the same things. But it's how you talk about them or present them or what you look like up there that makes the difference between an okay comic and a great one.
Any platform that you use to tell stories helps you regardless of the medium regardless if they are bedtime stories that you tell your children or comics or film. Specifically what makes comics unique is that they are a storytelling device that forces you to think both visually and economically. Some might say you are limited by your imagination, but that is not true because someone has to draw it.
Slow motion goes one of two ways. It either makes it look really, really cool, or it makes it look really, really bad.
I think I look cool. I don't know about the other three but I look cool, I am cool.
We don't look at problems logically, we look at them emotionally. We look at them through the guts. We look at them as if we're doing a high school problem, like what is beautiful, what makes me recognized among my peers. We don't go and think about things. We, as a society, don't wish to engage in rational thought.
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