A Quote by Frank Skinner

I have this JPM thing: jokes per minute. I've worked out that I should get in about 12 punchlines in five minutes. I need them all. It's like when you walk down a road, if there's a lamp post that's out, it's fine if you can see the next one's alight, but if there's two out, that's a period of frightening darkness.
There are five dark matters and five lamps. Love of this world is darkness, and the fear of Allaah is its lamp. Sin is darkness, and its lamp is repentance. The grave is darkness, and its lamp is 'none has the right to be worshipped but Allaah, and Muhammad is the messenger of Allaah.' The hereafter is darkness, and its lamp is the good deed. The Siraat is darkness, and its lamp is certainty of faith.
I'm living in L.A., which is hard to get around. I live way out in the suburbs, it's hard for me to get to town. You get five minutes here, then you gotta drive a half hour to the next one. New York was so much easier for standup because you could hit five clubs in a night. Just jump in a cab, pop. Boom, boom, boom. And you could walk to some of 'em, and work out stuff on the way. You can really get some more traction out there. You could work new material easier out there, I thought.
I don’t know what I’m doing in the next five minutes and she has the next ten years figured out. I’ll worry about making it out of ninth grade alive. Then I’ll think about a career path.
We've become more and more interrupt-driven. If you have six tasks to do in an hour, you can't just take 60 minutes and divide and have 10 minutes per task. You have 10 minutes per task minus the time required for context-shifting. That will be the next big challenge: figuring out how to fight the distraction-driven mode we're in and stay focused on one thing long enough to get it done.
I always feel that most political jokes, if you're going to do them, you have to do them within the next five minutes, or else they're outdated. By the time you've got it to the point that it's strong, it would be 12 years old.
It doesn't matter in MMA if you're a woman or a man. You're going to fight 5 rounds, 5 minutes (per round). If they want a real world champion, then the fights should be 12 rounds, 3 minutes (per round) for a woman boxer and you'll weed out some of the world championship fighters.
I'm really just trying to hash out the next two weeks of my life. So, something that is potentially four months down the road is not just a mile down the road for me, it's a million miles down the road.
Of course, I was a little concerned about it being over two hours [in "Aquarius" ]. "Neighboring Sounds" was two hours and eleven minutes. This is two hours and twenty-five minutes, and I did try bringing it down. For instance, I considered cutting out the sequence with the family looking at pictures.
I think the most important thing about playing is to walk out with confidence, look the people right in the eye and say 'Here I am,' and go and do your thing. As soon as they know you're confident, they're confident. As long as you adjust to them you're not in trouble. You should eyeball them, find out what they want, and give it to them. They didn't pay to come out and look at the tapestries.
If you owe money, you can't pay them out. You just pay for everything, you do smart things, you eventually get very rich. If you do smart things and use leverage and do one wrong thing along the way, it could wipe you out, because anything times zero is zero. But it's reinforcing when the people around you are doing it successfully, you're doing it successfully, and it's a lot like Cinderella at the ball. [...] And everybody thinks they're going to leave at two minutes to 12.
People look at film in a gallery, and if they walk out after two minutes they know they haven't seen the whole work. But then people look at a painting for two minutes and think they've seen it. Certain paintings are made to be consumed fast. But some require a slowed-down time. You have to go back to them.
First it is necessary to stand on your own two feet. But the minute a man finds himself in that position, the next thing he should do is reach out his arms.
Before I do a play I say that I hope it's going to be for as short a time as possible but, once you do it, it is a paradoxical pleasure. One evening out of two there are five minutes of a miracle and for those five minutes you want to do it again and again. It's like a drug.
I love working out at AKT. I will jump into one of my instructor's classes, hold a secret session with friends, or jam it out with my team, five days per week, 60-90 minutes each day.
How can you have any regret when everything worked out fine? But why I think it worked out fine is due to the lessons I learned along the way. And one of those involves listening to experts.
You see further behind you, and you get a chance to see further down the road. I could make a project come out in two years because I can put money aside to wait until that time to do it. That's only because I've had the opportunity to write and put out music every day.
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