A Quote by Frank Skinner

I like to turn up my collar when I'm leaving the theatre and feel like I'm some heroic comedian figure. — © Frank Skinner
I like to turn up my collar when I'm leaving the theatre and feel like I'm some heroic comedian figure.
When you see a comedian on stage, the best comedians make it feel like a conversation. But it's not. We have very little interest in what an audience has to say during a performance. Being a stand-up comedian, you're an egomaniac to some degree. Everyone wants to hear what you have to say, apparently. That's not how real relationships work.
Before I worked on film, I studied the theatre, and I expected that I would spend my whole career in theatre. Gradually, I started writing for the cinema. However, I feel grateful towards the theatre. I love working with spectators, and I love this experience with the theatre, and I like theatre culture.
If blue collar jobs are leaving and white collar jobs are outsourced what color collar jobs are left?
Then you see something like the Gucci advertising and you're like, "Yes!" It gives you confidence because you feel like you're not alone - you don't have to copy it but you can find inspiration. It's not only Gucci; I feel like everything is moving quickly and there's a lot of excitement and turmoil around these designers leaving their brands, but it feels like it's buzzing. There's stuff happening and I feel like it's always exciting when there's movement.
Theatre is expensive to go to. I certainly felt when I was growing up that theatre wasn't for us. Theatre still has that stigma to it. A lot of people feel intimidated and underrepresented in theatre.
I guess I still feel that I'm a comedian; if I had to pick one thing that I feel like I could do, it would be that. That doesn't mean that I like it, but I feel that's what I am.
I feel a great responsibility playing a historical figure because whether they were good or bad, I feel like the person deserves a fair shake. It's like being the executor of their estate in some ways.
All of a sudden I feel more womanly, I feel like I got a figure. I was always really straight up and down, the skinny one in the middle, like that poster at Elaine's of the Supremes at Lincoln Center - it was done by Joe Eula. To me that's really a reflection of the way I was. I was just like a bean pole. Now I'm getting a few curves and I like it.
I figure I can be artistic, but I work like a blue-collar person, too, and I'm serious about that.
Everyone has their own taste: some like theatre, some don't, some like opera, some don't, some like pantomimes, and some don't.
My mother would strike me off if I didn't say theatre was incredibly important, and when you see something like 'Network' at the National Theatre, my god it's important. You feel like you can't breathe.
I have a hard time describing myself as a standup comedian because I don't feel like I'm doing stand up jokes more than I am acting like a person who has a bad point of view.
If we would change the basis and align what is taught in school with what is needed with business... that's where I came up with this idea of 'new collar.' Not blue collar or white collar.
Habit must play a larger place in our religious life. We worship when we feel like it, we pray when we feel like it. We read the Bible when we feel like it. Leaving our religious exercises to the promptings of impulse, we become creatures of impulse rather than soldiers of Christ. An army made up of creatures of impulse would be only a mob. So is a church.
See, for some reason, I feel like it's a victory if I wake up one minute before the alarm. It's like I'm in a contest with myself, with my foot kicking around until it wakes up the rest of my body. It's the stupidest thing. But it makes me feel like I've already won something.
If it's strictly comedy, I like to bring some darkness to it. If it's strictly drama, I always like to lighten it up as well. I like to find some kind of dimension and make my characters human, so that it doesn't feel like a sketch and feels more like a slice of life.
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