A Quote by Frank Spotnitz
The one thing you can do that the audience can't do - all those smart people online in the chat rooms can't do - is deliver a satisfying emotional journey for a human being, for a character.
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It is very satisfying to see people praising you and your character, and the journey of the character moved them. It gives you a lot of confidence as an actor.
At least I want to be making films that are somehow born out of me that are stories I want to tell. The challenge is figuring out how to do it where you can make them personal, yet still deliver to an audience a film experience that is satisfying and emotional, and that's what I'm trying to do.
I think the beauty of chat rooms is that you can have your anonymity of course, and you can choose to be raunchy and sexy and bold. Or you can actually go into certain chat rooms and maybe have an incredibly soulful, meaningful conversation that will change your life or change the other person's life.
America Online customers are upset because the company has decided to allow advertising in its chat rooms. I can see why: you got computer sex, you can download pornography, people are making dates with 10 year-olds. Hey, what's this? A Pepsi ad? They're ruining the integrity of the Internet!
While sanctions against Iran and Syria are intended to constrain those countries' governments, they have had the unfortunate side effect of constraining activists' access to free online software and services used widely across the Middle East, including browsers, online chat applications, and online storage services.
You have to think back to the '90s. The computer was this terrible-looking thing that was trying to compete with the television. And it was this idea of email and chat rooms and this kind of stuff that first people - got people there.
I have spent many a night in an Internet chat room, but not since I've been married. I don't do the chat rooms anymore, but I have become completely addicted to Ebay.
Google is my best friend and my worst enemy. It's fabulous for research, but then it becomes addictive. I'll have a character eating an orange, and next thing I'm Googling types of oranges, I'm visiting chat rooms about oranges, I'm learning the history of the orange.
The thing that makes stories memorable is the experiences they impart onto the readership and the emotions that they make those readers feel. The audience will forgive an incredible amount if you deliver them a powerful emotional experience - and, conversely, if your story is emotionally false, no amount of pyrotechnics will save it.
There are certainly some secrets the government needs to protect, but many of the most important clues about revolutions, nuclear transfers, and new military sites can be found online, in open chat rooms and commercial satellite photos.
I really feel our job as actors is to find a human experience in the character. So, for me, genre comes second; it's about script and the emotional journey of that character. Genre definitely has an impact, but it has more of an impact on the way the character is expressed. We all have the same core emotions of love, jealousy, rage - it's just how they're expressed.
Government agents (and their allies) might enter chat rooms, online social networks, or even real-space groups and attempt to undermine percolating conspiracy theories by raising doubts about their factual premises, causal logic or implications for political action.
I think when you're a new actor in Bollywood, it's about seizing the moment. If you can prove to the audience there is an emotional vulnerability to your character, regardless of it being black or gray, I think the audience will accept you in any role - be it romantic or action.
But if you can empathise with a character and if you can emotionally resonate with that character and understand their emotional journey, I think you are home.
I'm committed to the idea that one of the few things human beings have to offer is the richness of unconscious and conscious emotional responses to being alive. ... The kind of esteem that's given to brightness/smartness obliterates average people or slow learners from participating fully in human life, particularly technical and intellectual life. But you cannot exclude any human being from emotional participation.
That's the most important thing when you're trying to portray a character for the audience to believe, you have to have the ability to journey in uncomfortable areas in your own personal life - to bring them out and make (the characters) true. Michael Landon is incredible at pulling those (emotions) out of you.
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