A Quote by Frank Spotnitz
Usually monsters are some aspect of human behavior or humanity at large.
Related Quotes
Adolescents show off. That's another way of wanting to connect with people. It's not an aspect of human behavior that we generally consider to be very admirable, but it is, in some way, a means of connecting with someone else and not being alone.
The fact is, as actors, everything we do, bad or good, is a contribution. To me, it is a positive thing to give people as wide a range of human behavior with some sense of understanding of that behavior or some clue to it.
Humanity-attached-to-the-task-of-changing-the-world, which is only a single and fragmentary aspect of humanity, will itself be changed in humanity-as-entirety.
When we listen for feelings and needs - we can see that people who seem like monsters are simply human beings whose language and behavior sometimes keep us from seeing their humanness.
Literature is humanity's broad-minded alter-ego, with room in its heart for monsters, even for you. It's humanity without the judgement.
We were king’s men, knights, and heroes . . . but some knights are dark and full of terror, my lady. War makes monsters of us all.” “Are you saying you are monsters?” “I am saying we are human. You are not the only one with wounds, Lady Brienne
Art arises in those strange complexities of action that are called human beings. It is a kind of human behavior. As such it is not magic, except as human beings are magical. Nor is it concerned in absolutes, eternities, "forms," beyond those that may reside in the context of the human being and be subject to his vicissitudes. Art is not an inner state of consciousness, whatever that may mean. Neither is it essentially a supreme form of communication. Art is human behavior, and its values are contained in human behavior.
The question is not whether but how do the actions of a given gene influence some interesting aspect of behavior.
I'm trying to understand how do we tell lies to ourselves to justify what we've done and what are the consequences of those lies? But actually maybe I also recognize that in turning empathy into a practice for many years, by turning, by forcing myself to separate at some level the humanity of a human being from his or her actions and recognizing that sometimes, even the moral aspects of a human being can contribute to immoral behavior.
In Dardenne brothers' films is a really small kind of humanity. It's not like the titanic "humanity" of humanism, it's much more gritty and realistic. But again, humanity is what unites all the people I'm talking about, and in such different ways. The humanity is in that moment you glimpse someone and have a completely intimate moment with them, and that intimacy is connected to an extreme pathetic aspect.
To really get to know people and discover humanity, which is what I truly think writers and actors do, you've got to be interested in other human beings, you have to be interested in humanity in general, and you have to do some discovering of humanity and different people.
If human beings are all monsters, why should I sacrifice anything for them?" "Because they are beautiful monsters..., And when they live in a network of peace and hope, when they trust the world and their deepest hungers are fulfilled, then within that system, that delicate web, there is joy. That is what we live for, to bind the monsters together, to murder their fear and give birth to their beauty.
One thing bothered me as a student. In the 1960s, human behavior was totally off limits for the biologist. There was animal behavior, then there was a long time nothing, after which came human behavior as a totally separate category best left to a different group of scientists.
Most of the monsters... are based on some sort of mythology. Every culture and even some geographical areas have monsters and mythology that is their own.
Zoocentrism is the primary fallacy of human sociobiology, for this view of human behavior rests on the argument that if the actions of "lower" animals with simple nervous systems arise as genetic products of natural selection, then human behavior should have a similar basis.
A novel can grant humanity even to those who act inhumanely, and by making men and women of monsters, it can offer not only a ground-level view of a particular conflict, but a descent into the substratum of human nature capable of the incomprehensible.
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