A Quote by Frank Stallone

I don't really play overseas stuff. I'm a bit of a dinosaur in that way. You gonna improve on a Les Paul or Fender Stratocaster? Those are perfect designs, and there is nothing to add really.
My guitar is a mutation between a classic Fender Stratocaster guitar, which I played for years, and a Gibson solid-body like an SG or a Les Paul. It contains all sounds of the basic classic rock n' roll guitars. It does what I want it to do.
My first guitar, a Fender Jazz Master, I traded it in for a Les Paul Deluxe.
I come from a big family of musicians, so I was lucky enough to grow up with guitars all around the house. Even though I didn't really know much at the time, my brother had a Les Paul Goldtop, and my dad always had this Fender or some bizarre Pedulla-Orsini guitar.
I still fall back a lot on my Les Paul, and there is just no getting away from a Les Paul and a hot pickup.
My brother was the first in Lancaster to have a Fender Stratocaster.
The Les Paul was more challenging because of the weight of it, but the tone was there that the Fender will never have and vice versa. So you have to make a decision as to what you're going to have as your main instrument. After seeing Hendrix, I thought, 'I'll stick with the 'Strat.'
The first guitar I ever picked up was an acoustic black Fender, so it makes perfect sense that Elias plays Fender guitars. As far as details, it's simple; Elias and Fender have a great relationship.
I tried a Les Paul when I was a lot younger. I tried the Les Paul, and because of the weight of the thing, it nearly dislocated my hip.
I used a fifties Les Paul custom on most of the stuff. I also used a Strat, a newer Strat. I had a million guitars in there but I used the Strat & the Les Paul in just about everything. There were a lot of different amp choices, I was working with a pro tools plug-in which is like an amplifier stimulator. The possibilities with something like that are just endless.
I couldn't not play a Les Paul guitar. Les always used to point to my Strat and say, 'Why do you have that piece of crap around your neck?' I'd say, 'Yours are too heavy. I had to drill holes in it.'
I was not a great guitarist, so I sold my 1960 Fender Stratocaster in exchange for a Shure Microphone, made in Chicago, and a flute.
I'm more critical of my songwriting than anybody, but I've worked really hard in the last five to 10 years to improve. I didn't take it all that seriously when I started. It was a little bit of a stigma to being a songwriter or a folkie back then. I did a lot of send-ups of sensitive singer-songwriter stuff when I was starting out, which limited my development as a songwriter in a way. I wasn't really fully given license to explore that until the mid-90s. I'm still working on it; I'm a little bit of a late bloomer.
They really allow you to play overseas. They let you play through everything - holding, grabbing, illegal screens, tough hand-checking and tough defense. Playing overseas for five years, that's all I knew. When I got to the Rockets, I brought that same mindset.
... Jimmy Page bought a Les Paul because he liked mine, but it was stolen, so he bought a Standard everybody raved about .. that's what he's famous for, but his first Les Paul was a Custom like mine ... I can remember he played a Gretsch before that
When I take my Les Paul onstage, it's reliable. An SG could be different from night to night, but a Les Paul is so solid and reliable that you can trust it every night
I met Leo Fender, who is the guru of all amplifiers, and he gave me a Stratocaster. He became a second father to me.
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