A Quote by Frank Stella

You couldn't forget Pablo Picasso, Henri Matisse and Joan Miro either. And it had to be, you know, at least as good or better. — © Frank Stella
You couldn't forget Pablo Picasso, Henri Matisse and Joan Miro either. And it had to be, you know, at least as good or better.
In their pursuit of the same supreme end, Matisse and Picasso stand side by side, Matisse representing color and Picasso form.
Picasso and Matisse were the guys I wanted to get away from, and cubism is all still lifes. Their paintings are all closed drawings. And still life is a perfect form for that. By the mid-'50s, I sort of dropped the still life. The large picture was a way of getting around them, too. The abstract expressionists were also into the large form because it was a way of getting around Matisse and Picasso. Picasso can't paint big paintings. Matisse didn't bother after a certain point.
There's no concession to the fact that Dylan might be a more sophisticated singer than Whitney Houston, that he's probably the most sophisticated singer we've had in a generation. Nobody is identifying our popular singers like a Matisse or Picasso. Dylan's a Picasso - that exuberance, range, and assimilation of the whole history of music.
Our farm is a 15-minute walk to Pablo Picasso's last home. Alongside it stands the lovely Notre-Dame-de-Vie Chapel with its 13th-century bell tower, which was visible to Pablo from his atelier.
[Pablo] Picasso really changed my life. It's strange to say so, but I started to see some Picasso paintings very early. I was very young, and he was not so much known.
I carried on buying paintings, works of art, and Yves Saint Laurent, if I may say so, had a right of inspection. We even shared a common reading of the history of art. It would never have crossed Yves's mind to say to me, "Ah, I saw a Pablo Picasso . . ." He knew perfectly well what was interesting with Picasso, as did I.
Near the end of his life, Henri Matisse's preferred attire was evening wear, by which I mean pajamas.
I'm so sorry, Henri," I whisper in his ear. I close my eyes. "I love you. I wouldn't have missed a second of it, either. Not for anything," I whisper. "I'm going to take you back yet. Somehow I am going to get you back to Lorien. We always joked about it but you were my father, the best father I could have ever asked for. I'll never forget you, not for a minute for as long as I live. I love you, Henri. I always did.
I think Picasso is more feminine than Matisse.
Pablo Picasso was never called an asshole.
A writer has to take all the risks of putting down what he sees. No one can tell him about that. No one can control that reality. It reminds me of something Pablo Picasso was supposed to have said to Gertrude Stein while he was painting her portrait. Gertrude said, “I don’t look like that.” And Picasso replied, “You will.” And he was right.
My heroes are people like Picasso and Miro and people who at last really reach something in their old age, which they absolutely couldn't ever have done in their youth.
Alix [MacKenzie] was a looser, more linear painter, dealing with amoebic forms, let's say, close to [Joan] Miró as opposed to my more static exploration of space.
I love the work of Matisse and Picasso, but I don't have enough millions to own one. And I don't really believe in owning art, anyway.
A good president does with executive power what Pablo Picasso did with paint. He takes bills into new and slightly discomfiting territory. He puts extra eyes on policies. He moves the mouth of the Supreme Court from where it should be to where it must be.
Pablo Picasso first entered my consciousness when I was a boy of about eight years old.
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