A Quote by Frank Thomas

I just don't feel like I'm old. I still feel like I've got a lot of years, a lot to give in this game, and I'm able to do it because I love to work. — © Frank Thomas
I just don't feel like I'm old. I still feel like I've got a lot of years, a lot to give in this game, and I'm able to do it because I love to work.
You've got to be able to hold a lot of contradictory ideas in your mind without going nuts. I feel like to do my job right, when I walk out on stage I've got to feel like it's the most important thing in the world. Also I've got to feel like, well, it's only rock and roll. Somehow you've got to believe both of those things.
I feel like a lot of like the old-timey Christmas songs, the classics, a lot of it is very vocal. A lot of harmonies and, like, crooners, it puts you in that holiday spirit, I feel like.
The thing about California is that it's kind of a dream, and I started to feel like I was living in a dream. I still feel like that. Because of that I think I've been able to realize a lot of things that were just ideas. When I was living in New York City, it's such a rat race, it's so competitive and everything is so concrete and in your face all the time. If you're like, "I'm gonna be a writer!" Everybody's like, "Yeah, you and all the other assholes on the subway." There isn't a lot of space for the detached, free-floating movement of the imagination.
I feel like a lot of the stuff coming out right now just feels really inauthentic to me. But apparently, people don't seem to see through it. And this makes me sound bitter, but it's just my perspective. I'm not bitter. I just feel like there's a lot of stuff that doesn't feel like it's coming from a place of any sort of integrity. It just doesn't feel like it's coming from the heart, basically. It just feels like it's being produced because people know it's a formula that will work, or it's easily digestible and fun to look at.
I still love the game. I still feel like I'm a 25-year-old. I really still love the game and feel as enthusiastic about the game as I ever have felt about it.
I've done seven movies in eight years, and with each movie I feel like I'm learning a lot. I'm still young-ish, so I still feel like I'm in the zone of learning and creating. Those are the perfect places to do that. And in a weird way, you have a lot of freedom.
It's funny, I really feel like I've learned a lot in my career but I still feel like a child. Like, an 11-year-old? I think it will be like that all my life, actually.
I love Penelope Cruz and Tilda Swinton, and I love Marisa Tomei. I feel like I get compared to her a lot, which I think is the biggest compliment, because she's incredible. Debi Mazar I get a lot, and I love her, because I feel like we have similar stories. New York, club kid, just a complete train wreck, very independent.
I feel like a lot of niggas in the rap game ain't do what I did in these streets and a lot of niggas in the streets ain't do what I did in the rap game. I still feel like a lot of people don't feel where we come from.
I really like to absorb the project and watch it and work on the music a lot and just get the feel for it until eventually a moment comes where I know I've got it. A lot of it is trial and error. Some days a piece of music doesn't work then other day another piece of music finally says something and works with the picture and suddenly casts a light on all the other stuff you've done - probably because my mind is getting to understand it and the piece is educating me. I always feel like the score is in there already somewhere and I just have to channel it and accent it.
A lot of people are like, "You're doing commercials?" And I honestly feel like those Sierra Mist commercials are better than a lot of sitcoms I get offered. It's hard work, and I'm paid a lot of money, and I do it because I love the soda.
I look at technology a lot because I feel like it's something we've got to stop and question, ya know? Right now it's sort of running ahead unabated and I feel like we've got to look at it and say 'Ok, I've gained all of these conveniences, but what did I lose?' And that to me is all part of the same idea of man-made work. We literally worship the things that we've made with our own hands. That's as old as mankind, that problem.
I feel like a lot of times when you get signed to an agent they just send you everywhere, so I still audition for a lot for voiceover stuff. I actually don't book a lot of it, and I love doing it so I get disappointed because I want to do more voice stuff.
I know my age is a little older and some people might say, 'hey this guy's an old guy'. But I'm learning every day. I don't feel like an old guy. I feel like I'm young. I feel like I'm in there just learning so much stuff. I'm just doing a whole lot more different things than I was before.
A lot of people, especially comedians, just feel like, 'Oh, I can be charming and whatever, and have fun, and everybody is just going to like me.' But you've got to work. There's got to be a real work ethic that gets you better.
I feel like I have been able to rewrite my story to some extent. But I feel like there is a lot of work to be done.
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