A Quote by Frank Vincent

You see mob guys when you play in nightclubs. It's part of the protocol. — © Frank Vincent
You see mob guys when you play in nightclubs. It's part of the protocol.
What I meant by that is, any time you have adversity, now you've got a chance to see all of these guys play every game the rest of the way like it's a playoff game. What you want guys to do when there's adversity is to play harder and play better, and that's when you see what kind of guys you have in your locker room.
It's not any desire on my part to start playing dads, but it's a convention of drama. If you don't get the parts of young people going out to nightclubs, you have to play their fathers.
Loners live among the mob, so the mob mistakes us for its own, presuming and assuming. When the mob gets too close, the truth is revealed. Running or walking away, chased or free, any which way, we tell the mob in effect I don't need you.
Mob guys had muscle, and where in hell do you think employers got the tough guys when they wanted to break a strike?
A mob's always made up of people, no matter what. Mr. Cunningham was part of a mob last night, but he was still a man. Every mob in every little Southern town is always made up of people you know--doesn't say much for them, does it?
I did a play once where a reviewer said, 'Martin Freeman's too nice to play a bad guy.' And I thought: 'Well, bad guys aren't always bad guys, you know?' When I see someone play the obvious villain, I know it's false.
I was a street guy. I mean, I grew up in an Italian neighborhood with mob guys around. Where I grew up, you gambled, you shot dice, you played cards, you went to the track. So the mob to me was not strange, it was not like I was an F.B.I. agent from Salt Lake City.
When I used to play nightclubs, you had to play Top 40 or favorite oldies that maybe people could relate to.
You play with guys who are big-name guys, and you grow up watching them and it's fun to play with those guys.
Something that looks like a protocol but does not accomplish a task is not a protocol—it’s a waste of time.
The City of New York is like an enormous citadel, a modern Carcassonne. Walking between the magnificent skyscrapers one feels the presence on the fringe of a howling, raging mob, a mob with empty bellies, a mob unshaven and in rags.
I'm going to try to play some good guys for a while and just see how that is. It's hard to enjoy them as much as the bad guys, and the clothes are nowhere near as good. Good guys don't wear nice suits!
When you're young, you might not be ready to deal with the frustration of playing the big guys and dealing with their power. But we move better, we see the ball earlier, we can play faster. That's why you see smaller guys able to compete. We use the power of our opponent.
It's important for people of colour to have the opportunities to play characters that are as nuanced - as three-dimensional, as human - as the characters who we traditionally see getting to play the protagonist. The good guys and the bad guys. The reason that is important is because it's a better reflection of the reality of the world we live in.
The pitifulest thing out is a mob; that's what an army is--a mob; they don't fight with courage that's born in them, but with courage that's borrowed from their mass, and from their officers. But a mob without any MAN at the head of it is BENEATH pitifulness.
The success I had as a player, or the career I had as a player, is often based on the guys you play beside, the guys you play with. Playing on the offensive line, you're only as good as your weakest guy up front. I was blessed to play with a lot of guys for a long time.
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