A Quote by Frank Vogel

I don't like isolation play, unless you're in the low post. — © Frank Vogel
I don't like isolation play, unless you're in the low post.
I know I can and have to improve many aspects of my game. I have to play more in the low post like I did in Rio.
I know how to play my guard spot, ... He can worry about the low post.
I want to be an offensive player, too. Play low post, midrange, take jump shots, and just be the best I can be.
Individuality is different than isolation. Isolation is trying to do everything on your own, living life by yourself. Isolation happens when you choose not to be involved in any communities, making sure you keep a safe distance from people in your life. I’m not recommending isolation. Science, psychology, and religion all suggest long term isolation is dangerous and unhealthy.
I feel like I don't get enough credit for my low-post game.
Josh Smith, put in the right spots, is an outstanding player. You put Josh down on the right block, in the low post or even on a short isolation - 12 feet, 15 feet from the basket - he can get to the rim. He's outstanding. He's not only a very willing passer but an outstanding passer. I think it's the best part of Josh's game.
The people like the American Legion Post that gave us a chance to play. A place to play and a chance to play.
We don't live in isolation. Most people don't like working in isolation - some do, but they typically don't end up playing Major League Baseball.
I will play power forward and small forward. Rebound, lead the break, play on the wing, post, play fast and play slow.
I don't like to post fresh standup material, because I want to use it in a special. The stuff I like to post online I like to be off-the-cuff moments.
We`re a little bit low in the 1970s, right, post-Vietnam, Watergate era, malaise, all that, but this is more like the 1930s where the very notion of liberal democracy is being questioned, and that is disturbing.
Psychotherapy is a cyclical process from isolation into relationship. It is cyclical because the patient, in terror of existential isolation, relates deeply and meaningfully to the therapist and then, strengthened by this encounter, is led back again to a confrontation with existential isolation.
I feel like when we talk about post-apocalyptic themes that's what we're really talking about. We're always returning to this sense of being alone in a strange new place where all is bleak and all is lost. And it is this sense of isolation that permeates the whole album. I wanted to go into the balance between fear and transcendence.
'The Washington Post' doesn't have to report on what I post on Twitter. CNN doesn't have to report on what I post on Twitter. All kinds of media outlets - they don't have to report on anything that I post on Twitter. Just like they don't have to report on all kinds of other things that other people post on Twitter.
I don't post pictures of my grandchildren unless I get permission. I'm really respectful about that. If I feel like anything is invasive of someone's privacy, I don't do that, either. Sometimes I have great pictures, but I'm like, 'Eh, maybe this is not right.'
I like pre-production and post the best. I don't like shooting at all. I find it grueling and tough, but I love post and the whole process of seeing the film finally come together. You start ironing out all the rough spots, and the really bad bits you just throw away. So from day one of post to the last day, you see nothing but improvements.
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