A Quote by Frank Welker
I like looking at the characters. Seeing them always brings up some voice or attitude. I am much more visual, and that works so much better than having someone tell me what the character is all about.
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I love the idea of seeing a character - I mean, there's nothing like seeing a character and having the huge detail and roundness that a character in a book can give you. It's so much more full than a character in a script can give you, isn't it?
I usually base my characters on composites of people I know. One trumpet player in SIDE MAN is really a mix of four different guys I knew growing up. Patsy , the waitress, is a mix of about three different people. I like doing it that way. I start with the characters, as opposed to plot, location, or some visual element. I write more by ear than by eye. I always work on the different sound of each character, trying to make sure each has a specific voice and speech pattern, which some writers could care less about.
"Someone": I understood that this was a character who in her own life her voice hadn't much been heard and in literature her life isn't much heard. For me, it was resisting all the more appealing characters and listening to the voice that hadn't been much heard from.
There are people who follow me on Twitter and tell me how much they don't like me, how much they don't want me on the show, and that they hope I die. And it's not just about the character. They tell me how they've never liked Scott Foley, and that he's a stupid, white, plain-bread looking fool.
I still feel there are much smarter self-promoters out there than me. I am very methodical about my messaging, and I know how to gain attention very quickly. David Blaine is an example of someone who's better at self-promoting than me. He is much better than I am.
The thing about great fictional characters from literature, and the reason that they're constantly turned into characters in movies, is that they completely speak to what makes people human. They're full of flaws as much as they are full of heroics. I think the reason that people love them and hate them so much is because, in some way, they always see a mirror of themselves in them, and you can always understand them on some level. Sometimes it's a terrifyingly dark mirror that's held up.
And I tell you, having girls has made me a much better man. I have friends who are fathers, but they only have boys, and they have the same attitude toward women they always had, you know? And I don't play that... My girls, you mess with them? I will bury you underground.
I have always liked kind of outsider characters. In the movies I grew up liking, you had more complicated characters. I don't mean that in a way that makes us better or anything. I just seem to like characters who don't really fit into. You always hear that from the studio: "You have to be able to root for them, they have to be likeable, and the audience has to be able to see themselves in the characters." I feel that's not necessarily true. As long as the character has some type of goal or outlook on the world, or perspective, you can follow that story.
The less you offer, the more readers are forced to bring the world to life with their own visual imaginings. I personally hate an illustration of a character on a jacket of a book. I never want to have someone show me what the character really looks like - or what some artist has decided the character really looks like - because it always looks wrong to me. I realize that I prefer to kind of meet the text halfway and offer a lot of visual collaborations from my own imaginative response to the sentences.
I don't know how it is with other people's relationships, but my wife is always much more tired than me because she works much harder looking after the children, which is an endless battle - a lot of it is battling with them to stop battling with each other.
There are probably writers who are much more visual than I am and some who are less. I like to think of myself as a happy medium.
I used to be prettier than I am, but I think I look better now. I was a pretty boy. Particularly in my early movies. I don’t like looking at them so much. There’s a sort of pretty thing about me.
I used to be prettier than I am, but I think I look better now. I was a pretty boy. Particularly in my early movies. I don't like looking at them so much. There's a sort of pretty thing about me.
I am looking for strong characters rather than being just a pretty girl. Actresses can do so much more than looking good.
Nothing is more debilitating than to care about something you can't do anything about. And you can't do anything about your adult children. You can want better for them, and maybe even begin to provide something for them, but in the long run, you cannot do anything about someone else's vibration other than hold them in the best light you can, mentally, and then project that to them. And sometimes, distance makes that much more possible than being up close to them.
Having always observed that public works are much less advantageously managed than the same are by private hands, I have thought it better for the public to go to market for whatever it wants which is to be found there; for there competition brings it down to the minimum value.
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