A Quote by Frank Zappa
The bassoon is one of my favorite instruments. It has a medieval aroma, like the days when everything used to sound like that. Some people crave baseball...I find this unfathomable, but I can easily understand why a person could get excited about playing the bassoon.
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Your hands are like dogs, going to the same places they've been. You have to be careful when playing is no longer in the mind but in the fingers, going to happy places. You have to break them of their habits or you don't explore; you only play what is confident and pleasing. I'm learning to break those habits by playing instruments I know absolutely nothing about, like a bassoon or a waterphone.
I know schools don't have money for everything, but I wish they could all have a couple of violins for kids to try; a couple of cellos, perhaps a bassoon.
I was curious about experimenting with different colors - kind of like having an expanded orchestra. Suddenly, instead of just writing for strings, you can add bassoon and oboe and brass. I like these extreme differences in sounds right next to each other.
At school, I enjoyed playing the bassoon. I was in the orchestra and played the melody when the other boys sang hymns at prayers time.
It's like an electroacoustic, surround-sound cello gamba. It embodies everything that fascinates me the most - acoustics, playing instruments, digital processing, movement of sound. Somehow, everything is combined in Ómar.
Bassoon is not an easy instrument to play and to pick it up and play it like a flute or a saxophone is quite an accomplishment.
I brought the music out to L.A., and the producer Tommy LaPuma heard it and he said - "Man, I love it. Let's do it. Let's record it." I said, "Okay, where's the band?" He said, "We don't have a band. We want it to sound exactly like your demo." I said, "Well, I played all the instruments on the demo." You do that when you're making demos. You got your guitar, you got your sax. He said, "Well, I want it to sound just like that, so get all your instruments out here." So I ended up playing all the instruments.
I still think that I'm playing instruments, not just pushing buttons and there it goes. It's interactive and alive with the sound and the manipulation and it plays like instruments.
I find it hard to get excited by just a sound. I have to have a song there, then I'll find what used I can make of that sound within the song.
If you are uninterested in what I say, there's an end to it. If you like what I say, please try to understand which previous influences have made you like it. If you like some of the things I say, and dislike others, you could try to understand why. If you dislike all I say, why not try to find out what formed your attitude?
That's really the thing that got me into playing a lot - getting excited about playing along with my favorite bands like Zeppelin and Black Sabbath.
There are some nights where I don't get enough sleep, or we're traveling a lot. And then I'll go do a radio show, and the DJs are usually so energetic. And they're like, 'Why aren't you excited?' I say, 'I am excited. I'm just Swedish. This is my excited. I can't get to an American excitement level.'
I always felt like I could combine good pop songs that are easy for people to like with a real person and a real mind and integrity. So maybe I bring people into that pop world who don't usually find themselves there because there's not enough stuff for them to get excited about otherwise. I try to be genuine. I try to be real. It's such a subjective thing, but I try to convey an emotion.
I write a lot of songs about love and I think that’s because to me love seems like this huge complicated thing. But it seems like every once in a while, two people get it figured out, two people get it right. And so I think the rest of us, we walk around daydreaming about what that might be like. To find that one great love, where all of a sudden everything that seemed to be so complicated, became simple. And everything that used to seem so wrong all of a sudden seemed right because you were with the person who made you feel fearless.
When we sit in meditation and hear a sound, we think, 'Oh, that sound's bothering me.' If we see it like this, we suffer. But if we investigate a little deeper, we see that the sound is simply sound. If we understand like this, then there's nothing more to it. We leave it be. The sound is just sound, why should you go and grab it? You see that actually it was you who went out and disturbed the sound.
I'm a very positive person. I get excited easily, and I like to jump around.
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