A Quote by Frank Zappa

Ever try to have a conversation with someone on drugs? It just doesn't work. — © Frank Zappa
Ever try to have a conversation with someone on drugs? It just doesn't work.
Redemption means you just make a change in your life and you try to do right, versus what you were doing, which was wrong. So I think a lot of people get hooked on drugs and when they get over that addiction they go out and they try to talk to kids and they try to work in rehab centers.
If you've ever had the experience of being in conversation with someone when they were fully present, listening deeply to you when you're sharing with them, you know that five minutes of a fully present conversation like that can be more powerful than 30 minutes of distracted conversation.
I'm not approachable by someone who says, "Let's try some drugs," or something like that. I'm absolutely close-minded about that kind of thing. But I'm wide open to anyone who says, "I've been wondering why we're here and where we're going, and I've got a few answers, but I wondered if anything ever happened to you that suggests..." Then they have me, and I become a chatterbox and can just talk away literally for days.
I try to represent specific experiences of specific characters, and that's all I want to try to do. I don't ever try to think about representing a culture, because its impossible, and someone will fault you. And it just doesn't interest me.
For me, personally, I think drugs are sacred and should be used for work. That's what I believe in. Drugs have a real shamanistic value. I can handle drugs. I've never had a problem.
Start a conversation with someone with whom you have "nothing in common" and no possibility of scoring with, networking with, or even seeing again. In other words, a conversation just for the civilized hell of it.
The first time you meet someone, the conversation is sort of on life support. You're just trying to live another moment in the life of the conversation.
I got jumped into a gang, but I never shot anybody or anything. I might have been in the car when something happened, but I was involved in the gangs just for the drugs. After a while, I just became an outcast of the gang because I just liked the drugs. I just wanted to do more drugs, anything you put in my hand.
People always try to palm me weed when I'm always talking about how I don't smoke weed. But they always try to ... and when they stop offering me weed, then I'm going to feel kind of out of touch, like: "What did I do wrong that you won't offer me drugs that I don't do?" Because I'll trade those drugs out for drugs that I do do.
The choice is not between drugs and no drugs, but between illegal drugs and legal drugs. Until the 1920s drugs were legal, why not now? Lots of people are on drugs anyway - it is called medication.
I don't think I could ever stop doing serious movies and just do comedies, or vice versa, but there is something cool about going to work everyday and you're just trying to make your friends laugh. That's nice work if you can get it, you know what I mean? It's different than going to work and knowing that I've gotta slap someone in the face today, and then I've gotta cry, and someone's gonna die, I've gotta get myself to that place.
I don't want clever conversation, I never want to work that hard, I just want someone I can talk to, I want you just the way you are.
I don't need to convince men that feminism is important, that just isn't a goal of mine. I can't even have that conversation of whether or not it's important, because if someone asks me that... I don't want to have a conversation with them until they grow up.
One set of circumstances does not complete you. Maybe nothing ever does. So you work on your life and you work on your 'work' and you try to live every single day like it's your last. And you try to be better, to yourself and to others. I don't always succeed. But I try and it's my goal.
I use drugs to work. I never use them to escape or for pleasure. When you turn to drugs, all you're doing is turning inside, anyway. I only use drugs for construction. It's like one of my architectural tools.
I do a lot of audio-only interviews at first just to capture a feeling and go deeper, as if you're having the most quiet, intimate conversation you've ever had with someone you love. If I can get that tone of intimacy, then the film will have that.
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