A Quote by Frank Zappa

Most people wouldn't know music if it came up and bit them on the ass. — © Frank Zappa
Most people wouldn't know music if it came up and bit them on the ass.
All the good music has already been written by people with wigs and stuff...Basically what people want to hear is: I love you, you love me, the leaves turn brown, they fell off the trees, the wind is blowing, it got cold, you went away, my heart broke, you came back, and my heart was okay...Modern music is people who can't think signing artists who can't write songs to make records for people who can't hear. Most people wouldn't know good music if it came up and bit them on the ass...If lyrics make people do things, how come we don't love each other?
I'm going to write a book someday and the title will be I'm an Ass, You're an Ass. That's the most liberating, wonderful thing in the world, when you openly admit you're an ass. It's wonderful. When people tell me, You're wrong I say, What can you expect of an ass?
You know where the people who killed people in San Bernardino came from. You know where people who did 9/11 came from. You know where the people who did Paris came from, where they transited, where they went. None of them even set foot in Iran. So why are you punishing people who are visiting Iran for that? . . . We're not going to radicalize them. We never have. Your allies have radicalized people who visited.
The humor I came up with is, for the most part, a bit crude or guttural, and many people aren't going to get it or enjoy it, but some do, and that means a lot to me - to know that I made someone laugh.
Music is generally important to blind people, and most of the blind people that I have come into contact, through my parents, music is very special to them. Obviously, because it is more salient, you know? We might like going to the movies, and of course we like music too, but when the eyes don't work then the ears pick up slack. Music is all the sweeter at that point.
There is a bit of a movement as far as younger people in country music. That is cool because people are saying things like, 'I didn't listen to country music until so-and-so came along.' And I'm like, 'Yeah! Now you know why I love it.
There is a bit of a movement as far as younger people in country music. That is cool because people are saying things like, 'I didn't listen to country music until so-and-so came along.' And I'm like, 'Yeah! Now you know why I love it.'
Every November, during the certain holiday people love so much, people take a dead turkey, open up the dead turkey’s ass, or carve out a really big hole in their ass, take some stuffing and shove it inside their dead empty ass, and use the little dead ass as an oven to bake some bread. Somebody else’s dead empty bacteria-laden ass to make bread? Ass bread?! And people think vegans are weird? Because we eat tofu? And rice, and beans, and lentils?
I came to music and knowing a little bit about life, and I came to music knowing a lot about business - and that's a real advantage. By the time I came to music, I had purchased real estate, opened restaurants, and been in the business world, so the music business didn't blindside me.
I'm a hybrid-genre person, which a lot of people find confusing. I grew up listening to American country music and rock n' roll made between 1955 and 1959. The Everly Brothers and Chuck Berry were my first musical loves and are still what I am most moved by. Roy Orbison came a little bit later.
When I first came on the scene, I don't think people knew what to make of the way I dress, my aesthetic and how that ties into my music. It took a lot of explaining. You don't really see females in country music dressed in all black wearing funeral garb with netting on their face. I have a bit of a gothic sense to me in a lot of ways, with a bit of outlaw country, rockabilly and blues. My subject matter is off the cuff a little bit.
Most truths are so naked that people feel sorry for them and cover them up, at least a little bit.
I want my records to be the most magnificent and glorious-sounding records, but also want them to be the most intense and fragile. And I want that all in the same ten-second bit of music. And it just takes a while to get there, and I don't write the songs and then go and record them, I write in the studio. So it takes a while to kind of piece them together and know that that's what I want it to be like. And I constantly throw the bits up in the air and see how they land, and eventually they kind of keep landing in the same place and that's where it stays.
I'm not going to name some of my colleagues who are very well-known for their television presentation, but they wouldn't know new information or how to report a story if it came up and bit them.
My evolution came not as a plan but as opportunities came. People offer them when they see you're doing something well. It's up to you to recognize them, take them, and then dedicate yourself to them.
I think a lot of artists get confused when people like their music; they think that means people know and like them. I'm sure there's an element of truth to that, but to me, the music I make is what I'm most proud of. I prefer to focus on that and for people to focus on the music, too.
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