A Quote by Frankie Avalon
No sooner than I did take it seriously, I had million-selling hits and movies with John Wayne.
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You're not going to be able to look like anyone else, no matter how hard you try, unless you're a mimic, then you're not acting, you're just mimicking. You can't go on being John Wayne, that's John Wayne. So you're not going to steal from John Wayne. I'm not going to steal from John Wayne and you're not going to come back and say 'Didn't you get that from the circus?' You know. But he is one of those people who instructs me, whom I look up to - whom I think is one of the masters of his craft that I am so enamoured of.
I never have really become accustomed to the 'John.' Nobody ever really calls me John... I've always been Duke or Marion or John Wayne. It's a name that goes well together, and it's like one word - John Wayne.
After my father had seen me in five or six things, he said, Son, your mother and I really enjoyed your recent film, and I must say that you're a lot like John Wayne. And I said, How so? And he said, Well, you're exactly the same in all your roles. Now, as a modern American actor, that's not what you want to hear. But for a guy who watched John Wayne movies and grew up in Iowa, it's a sterling compliment.
When did Jimmy Stewart not play Jimmy Stewart? When did John Wayne not play John Wayne? But that's what we like about them. When you talk about acting, you really have to respond to somebody's personality.
I saw Ben Stiller's movie Walter Mitty [2013]; it's very beautiful. You look at some of the movies John Ford did with John Wayne and Jimmy Stewart, and then look at Remington and Ansel Adams, and I think you see a connection, certainly in the imagery of the West.
There's so many great Western films. Let's see, 'Red River,' any of those Henry Fonda movies are fantastic. Any of those John Ford movies are fantastic. I love all the Eastwood 'Man With No Name' movies, John Wayne, 'True Grit.'
Well, here you had a city that was selling more cars than ever before, that had this wondrous music being created, that was so vital to the labor and civil rights of this country, and yet it was dying and didn't see it, except for some sociologist at Wayne State University who predicted that Detroit was losing population by a half-million by the end of that '60s decade, and that that trend would continue taking away its tax base.
I don't make crappy movies. I spend two or three years making a film. I don't take myself seriously, but I take my movies very seriously.
I watched a lot of old movies. Clint Eastwood movies, a lot of John Wayne films, a lot of movies that celebrated the region of where I lived.
I'm very pessimistic about that, no matter how hard we may try. The Chinese market is huge, but out of last year's $2 billion box office, $1.8 billion was taken in by foreign movies, and just $200 million by our own movies, no matter how much we have learned of their techniques, or their good practices. The Hollywood movies imported into China are all good movies; does the U.S. make lousy movies? Yes, too many lousy movies, but the imports are good films, so how can they not be box office hits? They're all hits.
Everybody can't come to New York and take the hits, take the hits of the city, take the hits of the media, take the hits of the fans. It's real.
Since I got into the movies, 'Running Scared,' that did $40 million. 'Princess Bride,' I got good reviews for the character Miracle Max. 'Memories of Me' didn't do well. 'Throw Mama from the Train' did $70 million. 'Harry and Sally' did 95 or 96. 'City Slickers' did $120 million.
John Wayne is not just an actor, and a very fine actor - John Wayne is the United States of America.
That's what the movies do. They don't entertain us, they don't send the message: 'We care.' They give us lines to say, they assign us parts: John Wayne, Theda Bara, Shirley Temple, take your pick.
Two of the great leaders of the past - Booker T. Washington and Frederick Douglass - had White fathers - who deserted them. Now Margo Jefferson, who is hard on me and the fellas, wrote in the Times that she has nocturnal, erotic fantasies about John Wayne. What's up with these feminists? Do you see these double standards these feminists have? They dream about John Wayne, but they're hard on us [Black men].
We [with John Logan] started talking about The Searchers, and then he went on to tell me a story about when he first met John Wayne, and he said, "Hey, you be me and I'll be Wayne," and I said, "No, let me be Wayne!" Anyway, it was a very pleasant conversation, it was clear to him that I was a big movie fan, and by the time I got home, there was a phone call, asking if I'd mind doing one scene in the movie [The Aviator].
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