A Quote by Frankie Boyle

I want to trace my father, could you suggest a good marker pen? — © Frankie Boyle
I want to trace my father, could you suggest a good marker pen?
First, consider the pen you write with. It should be a fast-writing pen because your thoughts are always much faster than your hand. You don't want to slow up your hand even more with a slow pen. A ballpoint, a pencil, a felt tip, for sure, are slow. Go to a stationery store and see what feels good to you. Try out different kinds. Don't get too fancy and expensive. I mostly use a cheap Sheaffer fountain pen, about $1.95.... You want to be able to feel the connection and texture of the pen on paper.
The landscape in Montgomery and in the South is just saturated with imagery. Markers are everywhere. There's a marker for the first Confederate post office, there's a marker for a ball that Robert E. Lee hosted, there's a marker for where Jefferson Davis had a meeting. We love reminding people about all that was going on in the mid-nineteenth century.
If you leave a good trace behind you, that trace will continue its walk even if you stop!
I have no ambitions at all! I have none... seriously. I want to be a good father. I want to be a good husband. I want to be a good son, a good brother, a good family member. I don't have any ambition to direct a film or write a play. I like acting.
A father, finding time for what is most important is the true marker of a successful person.
I came from a single parent household. And I had a bad example of what a husband and father could be and how irresponsible a father could be. So because of that, I didn't want to get married or have kids.
... if we say that the Father is the origin of the Son and greater than the Son, we do not suggest any precedence in time or superiority in nature of the Father over the Son (cf. Jn. 14:28)? or superiority in any other respect save causation. And we mean by this, that the Son is begotten of the Father and not the Father of the Son, and that the Father naturally is the cause of the Son.
In school, the year was the marker. Fifth grade. Senior year of high school. Sophomore year of college. Then after, the jobs were the marker. That office. This desk. But now that school is over and I've been working at the same place in the same office at the same desk for longer than I can truly believe, I realize: You have become the marker. This is your era. And it's only if it goes on and on that will have to look for other ways to identify the time.
I love it when people ask if Jennifer Weiner is a pen name. Um, if I wanted a pen name I could have done a LOT better than this!
I remember reading about a court case where a man tried to stab a judge with a pencil. There are Google pages full of similar instances around the world. It's obvious that the pencil lends itself to precisely that kind of use. It's not as lacking in dominance as you might think. I have an article on the fallacy of the designer intent because a lot of designers think they can design uses into technology. You can't do that. I use the pen, I make the mark, but the pen is also using me. The pen could be said to be allowing these kinds of marks. I can't do just anything with the pen.
I write in pen because it works. A fountain pen is no good for writing in the way I do because I'd have to decide, each time I stopped, how long I was likely to stop for in order to know whether or not to put the cap on. But I never know. So instead, I use a ballpoint - a Montblanc, to be precise - the most comfortably balanced pen I've ever found.
During freedom struggle, It were authors and artists who made the Nation stand with their pen, and now their pen can create an environment of renaissance when Independent India is on the path of Good Governance.
My dad claims that he was able to trace us back to the West Virginia Hatfields. When I look at the old pictures, the patriarchs have kind of a physical likeness to some of the men on the father's side of my family. I want it to be true.
You learn, of course, when you're working with something good, but you also can learn when you're working with things that are not good. You can see the reasons they're not good. I would sometimes suggest what could be done, but essentially say "It isn't worth the bother." So I learned from that process.
I am a man-pen. I feel through the pen, because of the pen.
To make a movie is very stressful, especially when you work with your father. You want to think the movie is good. Even when I don't work with my father, I want it to be good.
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