A Quote by Frankie Boyle
Doug Stanhope is great - I saw his 'Burning the Bridge to Nowhere' show and it was inspiring. He's like an anti-shaman, taking the sting out of a bunch of things we've chosen to give a symbolic power to. I've made it sound noble and worthy there, it's not, it's really funny.
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Everybody wants to be Doug Stanhope; everybody wants to be Bill Hicks - and those are great people to aim for, but they had the fundamentals down. They knew how to be funny.
Kill me, Doug. Just kill me now. Put me out of my misery.” “Christ, Kincaid, what did you say to him?” murmured Doug. “Well,” I told Doug, “I ripped on his fans and on how long it takes for his books to come out.” Doug stared at me, his expectations exceeded. “Then I said—not knowing who he was—that I’d be Seth Mortensen’s love slave in exchange for advanced copies of his books.
Never sound pompous. You always sound noble, noble. Absolute character of music is nobility. Even popular music can be noble, you see. If it's not noble, then it's not very good... Music is an art of emotion, of nobility, of dignity, of greatness, of love, of tenderness. All that must be brought out in music but never a show of pompousness.
I thought my family was really funny. Everybody in my family was funny. My mom and dad both have great senses of humor and really saw the funny in stuff, so I think that's probably where it came from. I always try to see the funny in things.
I think Sting would be denying his fans a great moment if Sting did not step into WWE competition at least once. I have always been a huge admirer of what Sting brings to the table and his relationship with his audience, and I would be dramatically disappointed if Sting does not wrestle a WWE match.
To be really great in little things, to be truly noble and heroic in the insipid details of everyday life, is a virtue so rare as to be worthy of canonization.
Bridge is nowhere; over the bridge, you feel an emptiness inside you. Bridge is nowhere.
Actors are a really funny bunch of people, especially the X-Men cast. They're super funny and super nice, and they like to go out and get drinks and dinner and hang out. It's an experience. It's a summer. It's like camp. Everybody gets together and hangs out.
You find out in life that people really like you funny. So what do you give 'em? Humor. And then if you show them the other side, they don't like you as much. I find, too, that I can hide behind the idiot's mask being funny, and you never see the sorrow or the pain.
'Crash' came from personal experience. I saw things inside me from living in L.A. that made me uncomfortable. I saw horrible things in people and saw terrible things in myself. I saw a black director completely humiliated, but the three people around me just thought it was funny. 'No,' I said, 'that is selling your soul.'
I really like baking, and I really like playing video games. I saw a few geeky baking blogs but I never saw a show on television or on the Internet like that. So I thought, 'Why not be the first to try it out?' And it went really well.
In the NBA, you're taking a bunch of different talents, and you're managing them. You have to give them a system; you have to give them a belief. That's why coaches like Phil Jackson and Gregg Popovich are so great: because they gave the team confidence in the system and in their ability to execute night in and night out.
I don't know if it's possible to affect my ego any more. There's no room left. For me, I think I make music like the way I think it should be made, like what rock should sound like. It has nothing to do with the current marketplace. And so from that state of mind, it's gonna sound different from anything else out there. And when something sounds different, I think that can be inspiring to other musicians.
This may sound funny, but as much as the 'Today' show matured me, it also was something of a cocoon. I'd been happy there. I never went into the boss's office and pounded my fist on the desk, saying, 'Give me more money! Give me a prime-time show!'
Great art comes from great artists. There’s a bunch of people that are hurt that still couldn’t have made the album that was super-polarizing and redefined the sound of radio.
Doug Ford was one of the first of the old pros I saw during my first full year on tour, in 1963. To this day he's the best chipper I've ever seen. One thing Doug did was get the ball onto the green and rolling right away, keeping it as low as possible. He never hit his chips higher than was absolutely necessary.
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