A Quote by Frankie Boyle
Comedy is a terrible way to meet women. It's certainly a way to start talking to them, but they always have preconceptions about you.
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Whatever the press is talking about, they want to keep talking about it. So instead of asking yourself, 'How can I get them to start talking about me?', figure out a way to get yourself involved in what they're already talking about.
It seems to me that we make a terrible mistake in talking about Trump as some kind of essence of evil. Trump is symptomatic of something much deeper in the culture, whether we're talking about the militarization of everyday life, whether we're talking about the criminalization of social problems, or whether we're talking about the way in which money has absolutely corrupted politics. This is a country that is sliding into authoritarianism.
There's a theory with comedy that you shouldn't do anything that's too topical in your specials because people won't be able to watch them in five years. But I look at Trump in the same way I look at Mr. T. I can watch comedy jokes about Mr. T in the '80s and still understand what they're talking about.
When we look at women, we have to look at the significance of their work in a different way from the way we look at it with men. Women have more often worked within the home, working equally as hard, I would argue, but not always out there where they're counted, not always up there in the labor unions, certainly not in leadership positions.
I got the opportunity to meet people all over the world. Brilliant women, tall women, short women, slim women, thick women, you name it. But, I don't meet them. I have the opportunities to and it's a little bit - I'm a little shy, so I don't meet them and I don't know who's right for me.
I know there are certain men that hate women or don't like women, and in order to make women feel small, they tend to isolate them when they bully them. And women are often humiliated by it and feel they can't do anything about it. So my advice to women would be: there's always support around for those sorts of things and if you feel you're isolated in any way, or being bullied, you must talk to someone about it.
I don't think so much about verbal comedy. I always think about visual comedy. I was raised watching silents, and I'm always thinking about how to make cinema, not good talking - although I want good talking. I'm much more interested in framing, composition, and orchestration of bodies in space, and so forth.
I listen to a lot of rap where men talk a certain way about women and I'm not offended. It's meant to be funny. I'm throwing it right back at them with humor, but some people can't take it. They're not used to women talking back.
Honestly, when you start talking about genres, you're talking as much about the business side of writing as anything else. Certainly there are elements of reader expectation that play into various genres, and those are important, but it also becomes about packaging, placement, audience....In the end, I'm not a fan of labels. I think the best fiction blurs the boundaries between genres, stretches and breaks them.
There is certainly a higher percentage of wit in British comedy than in American comedy. What always tickles me is the way in which people try to use their intellect to get themselves out of tricky situations but never quite manage to do so - much to their enormous embarrassment.
Sex is more openly spoken about than 40, 50 years ago, and I think probably in comparison to a lot of bands - certainly other contemporary pop girl bands - we're certainly not as suggestive. We talk about sex in the way that we would to our friends. As a girl group, I think it was important not to avoid those sort of things either, because it's about confronting people's idea of what women should be talking about and how they should talk about it. There's no point in shying away from subjects like that, because they exist.
Comedy and drama are different sides of the same coin. And the thing about comedy and drama is about likability. It's about character first. It's about story. And for me, it's about empathy, and I think the realer someone is, the further you can go either way with them.
You Australian guys have your own way of speaking about music, you guys have your own way of enjoying music. You certainly have a very energised creative and cultural centre. Everyone I meet in Australia has a very unique soul... There's a lot of culture out there, and I meet a lot of nice people.
Even in decision-making, we work in self-help groups. That is women coming together in small groups of 10 to sometimes 15 women, where they start to get education about their rights, about clean water and sanitation, about how to have a healthy birth. You can bring in all kinds of education to them that way.
That's what's always been such a curious thing to me about feminism. They never lost any power. However, when you start talking about this particular area of our population, you're talking about the politicized nature of our country where feminism dominates and all heterosexual men want women. And all men realize you've got to do certain things. If you want to get a woman who happens to be a feminist, then you better do and say, be certain things. Men have gone crazy trying to be what they think women want them to be, and that's men in Washington, gone crazy.
Business has a way of talking about how to create value, which is in some way isn't bad... We just need to start thinking about if the value we want to create is consistent with all social and environmental well being.
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