A Quote by Frankie Boyle

The average British person would hear me doing my joke about Rebecca Adlington and realise there's no malice in it. It was an off-the-cuff ad lib. — © Frankie Boyle
The average British person would hear me doing my joke about Rebecca Adlington and realise there's no malice in it. It was an off-the-cuff ad lib.
I'm not an ad-libber. If I'm asked to ad-lib, I can ad-lib forever and it's really fun to do that, but I find that well-written scripts are put together very carefully. Once you start to ad-lib and add words to sentences, there's a slacking that happens. When it's good writing, it's taut. I'm not judging people who do ad-lib.
The pledge drive has everything going against it as broadcasting. It's repetitive. It's ad-libbed by people who can't ad-lib. It's about asking for money, which is something nobody wants to hear, even from their own relatives.
In the year and a half I was on SNL, I never saw anybody ad lib anything. For a very good reason - the director cut according to the script. So, if you ad libbed, you'd be off mike and off camera.
I'm not even really a joke-teller. I can do ad-lib and banter, but I don't do jokes.
We'd dub the one that came off best into the final transcription. It gave us a chance to ad lib as much as we wanted, knowing that excess ad libbing could be sliced from the final product.
The thing that nobody really said about Rebecca Adlington is that she looks pretty weird. She looks like someone who's looking at themselves in the back of a spoon.
Generally, there's a lot of ad-lib involved with live TV and things like that, whereas with acting in front of the camera, it was, if you screwed up a line, well, you've got another take, and you also had a script to be able to study, so it wasn't all ad-lib and flying by the seat of your pants, which I like both aspects, actually.
I ad lib most of my dialogue. If I did remember my lines, it would be too bad for me.
No one could ad lib like Peter. You would think that it was all scripted, he was so poetic, but it wasn't.
Eddie Izzard is doing his show in French... Will he be able to fake ad-lib as well in other languages? He's been speaking French for a while now, but he's talking about doing his act in German. Haven't the German people suffered enough?
I would say off the cuff that I am an anxious person. I worry about everything. I need to know everything. I tend to live in a state of anxiety with the feeling that life is some kind of great catastrophe.
I'm a news junkie. I generally ad lib it. I find a story I want to key off on, open the mic, drag it in the Dropbox, and they pull it out the next morning.
I hear my own daughters talking about big companies polluting the environment, and then I realise they are talking about companies of which one I am running. But when I tell them to read the things we are doing, then they realise we are doing good things. But millennials are really a great lot.
I don't worry too much about the script, I just ad lib, like Pearl Bailey.
Writing a book is about me doing the work to get from the obsessive particular to something that reaches out of that in some meaningful way. It doesn't come easy to me. I really admire people who do it with acuity, but I don't, and for me it takes the process of working on a book for years to do any thinking that I feel accomplishes anything. I don't do it off the cuff well.
People are intimidated when they first meet me, but it doesn't take them long to realise I'm just an average person.
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