When I started listening to Paramore, I was in high school, and they were, like, 15. Seeing somebody at such a young age have that ambition, I thought, holy crap, they were so young. They seemed like cool people, and I really liked the music.
When you're put in a position to really affect young people who are going to run the world one day, if you're able to be in their life at a young age and make a positive impact, I think that's a beautiful thing.
I was enamored with music at a very young age. Everything started with kundiman, then evolved to Carpenters, Barbra Streisand, Barry Manilow, and eventually classic rock music.
I started at such a young age learning every style of music, the country and the bluegrass and the western swing and the rock - everything.
I taught myself to read music at a very young age, so when I started to take lessons in school, the teachers used to give me other instruments to keep me busy, because I was more advanced than the other kids.
I get a lot from all young people. I make movies for young people. If I made pictures for people my age, no one would see them. I hang with young people all the time.
I'm always thinking about that young girl or young boy who doesn't quite know if their music, their messaging, their imaging, their voice is going to pop, if people are going to understand them. So I represent the other and those who feel like they don't even want to be normal. They embrace the things that make them unique.
I was influenced by gospel and Christian music from a very young age.
Northeastern folk music influenced me from a very young age. Sachin Dev Burman is one of the inspirational musicians in Indian film music. The way he fused folk music with his signature style is amazing. So, I am aware of the beauty of northeast folk music.
The other thing that was very noticeable on that tour, not so much in the video, was the new young element that were coming to our shows... I started to see some very young people in the audience... maybe 14, 15, 16 years old.
When I was younger, definitely getting people to listen to me and believe in me. I think it's hard when you're a young girl in a record label full of male urban artists, which is definitely what Atlantic Records was and still is. Also, getting people to trust a young, female pop star that doesn't just want to be puppeteered was definitely a challenge for me.
What's amazing is how rock n' roll lasted. It started losing its commercial power in the late 1990s. But think of swing, which we think of as this big music before rock n' roll. It only lasted five years in total. So, rock going 50 years is amazing, because young people want new things.
I think the Control has really opened up the music to a whole new audience. I've met kids recently, kids of people I know who are 14 and 17 who love Joy Division and have been a fan before the movie, which is really weird. How does that happen? I have no idea. But, the music that's out there today is heavily influenced by these bands from the 70s and 80s like Joy Division. I want them to take away a little bit of what Ian Curtis was and, at such a young age, he had so much going on.
At any rate, that’s how I started running. Thirty three—that’s how old I was then. Still young enough, though no longer a young man. The age that Jesus Christ died. The age that Scott Fitzgerald started to go downhill. That age may be a kind of crossroads in life. That was the age when I began my life as a runner, and it was my belated, but real, starting point as a novelist.
I started dancing ballet when I was very young, so my background really is dance. But I remember loving the feeling of being on a stage and having a love for performing from a young age.
The younger generation forms a country of its own. It has no geographical boundaries. I've talked with young Hungarians in Budapest, with young Italians in Rome, with young Frenchmen in Paris, and with young people all over. ... These young people are going to do things. They are going to change things.