A Quote by Frankie Grande
Broadway performers are the best-trained people on the planet.
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I'll tell you what I think in general about people who want to make their Broadway debut that are not trained stage actors. Don't they know, Broadway ain't for sissies? It is a tough gig. You are responsible, physically, mentally, emotionally, for eight shows a week, at the top of your game. It's not easy.
If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
The best results come when people believe in and feel strongly about the music they are playing. Just as composers write for certain types of performers, performers are also looking for certain things.
I still insist that American performers are the best performers in the world.
When I was young I trained a lot. I trained my mind, I trained my eyes, trained my thinking, how to help people. And it trained me how to deal with pressure.
Broadway is not just the song and the shows; it's the individual performers and the community.
I so miss musical theater. Secretly, I'm in awe of Broadway performers.
When you have police officers like Office Encinia who is a trained professional, who is trained to de-escalate a situation where a motorist may not be in the best of moods because of an encounter that they're having with you, you are trained to respond differently.
Some of the most powerful female performers I've seen balance the feminine and the masculine and are incredibly strong. Like, I think Hayley Williams is one of the best rock performers.
What happened to those men and women at Fort Hood had a horrible symbolism: Members of the best trained, best equipped fighting force on the planet gunned down by a guy who said a few goofy things no one took seriously. And that's the problem: America has the best troops and fiercest firepower, but no strategy for throttling the ideology that drives the enemy — in Afghanistan and in Texas.
Originally, what we call rock 'n' roll was nothing more than an attempt of very bad white performers to sound like black rhythm-and-blues performers. They did their best to emulate, they did their best to paraphrase. And that started what later became rock 'n' roll.
Some of my best friends have written Broadway shows. Allee Willis and Brenda Russell wrote The Color Purple which has been recently revived on Broadway. That to me is such a different hat that you have to wear, but music is music. A Broadway show is something I would love to have the opportunity to do.
It took me a while to figure it out, but to have a real hit on Broadway, you have to get the respected Broadway people to like it. But then the production also has to appeal to the most middle-class people who know nothing about Broadway and who come to see it later.
When I was prepping for my Broadway debut as Romeo, it really hit me that I had never done that. I had trained at drama school for three years in my late teens to early 20s, and I'd studied Shakespeare, of course, but I hadn't actually performed it. So to do something like Romeo for my first Broadway role was a challenge.
There are two types of people, two types of performers: Performers who know how to keep a show going, literally, when the power is gone and performers who haven't had that much experience and will panic and freak out and don't know what to do.
There are two types of people, two types of performers: Performers who know how to keep a show going literally when the power is gone and performers who haven't had that much experience and will panic and freak out and don't know what to do.
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