A Quote by Frankie Knuckles

House Music isn't black or white. 
 It just is. 
 It feels good & it feels right. — © Frankie Knuckles
House Music isn't black or white. It just is. It feels good & it feels right.
Anything that feels familiar and comfortable [is home]. It's wherever I feel safe and safest. Most of the time, that's just Barbados. It's warm, it's beautiful, it's the beach, it's my family, it's the food, it's the music. Everything feels familiar, feels right and feels safe. So, Barbados is home for me.
I want to write for people that are trying to do some kind of quality music. What I mean by quality music is not so much the trend, what is hot right now. I don't write trendy, I write what feels good and something that feels good will never get old. Timeless music is what I try to shoot for.
You have no right to go before a public without an adequate technique, just because you feel. Anything feels - a leaf feels, a storm feels - what right have you to do that? You have to have speech, and it's a cultivated speech.
I have read a thousand screenplays, and I have acted in a handful of them, and I have felt when it feels good, the writing, and it feels natural, and feels funny or sad or honest or whatever it may be. You connect. And I felt when it feels like writing, when it feels stale, or when it feels artificial or forced, or too theatrical or whatever.
What I did was go into the studio and make music that I love. Make music that when you hear it, it feels good. Whether it was urban inspired, dance inspired, HipHop inspired or it just feels good period.
Regarding the current Broadway revival of The Music Man, Jay Nordlinger wrote: There will always be those who sniff that the show is "feel good"-but, oh, it feels good to feel good. And the main reason The Music Man feels so good is that it is good-a great American musical.
Even though it's called Music Of Black Origin, it's not just music for black people. Music is for everybody. I think it's good that black music is acknowledged, and it's open for lots of artists, including white artists who have been inspired by black musical heritage.
Aligning my music with something that feels morally and politically passionate to me feels good.
It feels so good to be amongst some of the biggest legends in music - it feels quite surreal.
There's a constant contradiction between what feels good and what feels right. But you live with decisions that you make in your life.
There's this Method Man album called 'Tical.' It's his first album. I would just listen to that every day, because the album feels like, if it were a film, it would be black and white. It feels like there's a war percolating throughout the album itself. It's dark, and it has a nice forward pace to it.
If something feels right, I do it. If it feels wrong, I don't. It's really very, very simple, but you've got to be willing to take your chances doing stuff that may look crazy to other people - or not doing something that looks right to others but just feels wrong to you.
There aren't a lot of people from Washington that go crazy so like just to put on for the whole state feels good. Not just Seattle but all the cities and towns that are near there. It feels good to be the one to do that for them.
I'm not asking for there to be all black writer's rooms or all Asian writer's rooms, or all white - I want them all to be diverse. When it's diverse, you're going to have a completely different dynamic. Everybody feels othered. Nobody feels like they've got the upper hand.
I design from instinct. It's the only way I know how to live. What feels good. What feels right. What is needed. Give me a problem and I will approach it creatively, from my gut.
My books are not about how it feels to be a black man. My books are about how it feels to be a human being, and part of what I'm trying to sort out is what we mean - what I mean, what you mean, what everybody in the culture means - when they say 'black man,' or they say 'white person.'
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