A Quote by Frankie Shaw

I moved to L.A. because I didn't want to be in New York anymore. And I knew if I wanted to act, it would have to be in one of those places. — © Frankie Shaw
I moved to L.A. because I didn't want to be in New York anymore. And I knew if I wanted to act, it would have to be in one of those places.
When I first moved to New York, I moved all over because I never knew where I would be or if I was going to Europe, so I would sublet apartments. It was miserable because I was constantly moving.
When I first moved to New York, I had some colleagues who said I should be my straightest self - whatever that means - when I went into casting offices, but I didn't want to put on an act of what I thought was heterosexual. I just wanted to be myself, and I'm very grateful because I feel like I've been embraced for that.
I always knew I wanted to act but I was really afraid to desire something that seemed so unrealistic and a long shot. I was a kid memorizing entire movies and TV episodes but I didn't take it seriously until I was about 19. Then I moved to New York and took it head on.
Let me tell you who I am: I'm a girl from New Jersey who moved to New York and worked in a bar while trying to make a living at what I really wanted to do, which was act.
I love New York, and I'm drawn to a certain intensity of life, but I've just never felt like I want to escape from the Midwest. A writer lives a great deal in his own head, and so one intuitively finds places where your head is more clear. New York for me is one of those places.
I've never been one for sitting on beaches. Let me tell you who I am: I'm a girl from New Jersey who moved to New York and worked in a bar while trying to make a living at what I really wanted to do, which was act.
I knew that I wanted to live in a city, but had never really been to New York. But I was begging my parents as a kid to move to New York, so it was just something that I sort of knew from a young age.
I want to retire in New York, let's be quite frank. I think a lot of people jumped the gun when I said I wanted to be a free agent. And yeah, I want people to come to play in New York. I want them to want to play in New York. I want New York to be that place where guys want to come play.
I'm in the film industry, and I very seldom go to the theater now. It could be work, not being in New York, that sort thing - because in New York, you do go to theaters; you can walk to a theater and then walk to a restaurant. But in places you have to drive out to the cineplex to see a movie, it's starting not to be worth it anymore. It's like the days when you went to get a book at the public library. You don't have to do that anymore. You just go on your iPad and all of a sudden you're reading The Duchess of Malfi.
I have three boys. And I wanted to make sure it connected with them and then those guys who grew up like me, in environments like me.And then I knew something about science that your New York Times reader would be interested in. So I was thinking about it in multiple ways: I'll connect with the people who grew up like me first, and then the New York Times reader will be interested in the science because it's so good and they want to be "in the know."
If I were to be really petulant, I would say New York is the one doing the betraying. Because the New York I fell in love with doesn't really exist anymore.
When I moved to New York to act I was no good at working restaurants - hosting, waiting, bussing, dishwashing - I wasn't good at any aspect. But I did have a guitar. So I would sing 'Me and Julio Down by the Schoolyard,' but you would only hear the chorus because the train comes by every 30 seconds.
One knew in advance that life in New York would not be easy‚ but there were cheap rents in cold-water lofts without heat‚ and the excitement of being here made up for those hardships. I didn't move to New York to make a fortune.
One knew in advance that life in New York would not be easy, but there were cheap rents in cold-water lofts without heat, and the excitement of being here made up for those hardships. I didn't move to New York to make a fortune.
When I moved to New York to act I was no good at working restaurants - hosting, waiting, bussing, dishwashing - I wasnt good at any aspect. But I did have a guitar. So I would sing Me and Julio Down by the Schoolyard, but you would only hear the chorus because the train comes by every 30 seconds.
By the time I started high school, I knew I wanted to be a writer. After graduating from Smith College in Massachusetts, I moved to New York City and worked for the advertising agency J. Walter Thompson.
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