A Quote by Franklin Foer

We think of Netflix as a great personalization machine. It understands how you love French midcentury cinema and British murder mysteries, so examples of those pop up in your personalization engine. But you're also getting fed a lot of Netflix content.
I'm not one of those people who only believe in the Netflix model. I go see films in the theater and love that experience and don't want it to ever die. But I like that Netflix exists, and you can discover so many different types of movies and TV and content you wouldn't have access to.
On Friday night, if you want to go out on a date with your wife or your girlfriend, nothing on Netflix competes with that, right? Because you're getting out; that's what you're doing. If you don't want to put your shoes on, nothing in the cinema competes with the worst thing on Netflix.
Youku Tudou is a hybrid, like combining Netflix and YouTube. Like Netflix, with Youku, which launched in 2005, we syndicate a library of longform content and create original content. The Tudou model started with user-generated content but is increasingly becoming about partner-generated programming.
I'm excited when any Netflix show comes out. I'm like, 'Yeah, Netflix! Doin' great! We're all on the same side.'
I think there's a time and place to watch an independent film, or catch up on a French action film on your laptop, or Netflix it, or download it, or watch it on-demand. But I think we also have to maintain the sacredness of the movie theatre as church - especially with event screenings.
I think people are going to places that they weren't able to with television before, and I think Netflix really paved the way for that. With freedom comes better content, and with better content comes great actors and a bigger audience. I think that has just snowballed into a movement for making really great TV.
The thing with Netflix is everyone who reads this article can go to Netflix, watch 'Live in Oakland' and come to D.C. and see me do a different show. It's a constant source of people getting to know me.
I certainly don't only watch Netflix. I enjoy the fact there is multiple companies producing content. I think it's great for consumers.
We provide a breadth of live and catch-up content - what we define as this season's content, none of which is available in the Netflix rerun world.
I am thrilled to be on a Marvel Netflix show. I'm excited that we're getting to watch this kind of content... It's groundbreaking.
Figuring out how to scale the very human art of personalization is difficult, but I believe that it is also the key to building a lasting connection with customers for the long term.
I don't tend to watch TV. I'm like a Netflix junkie. I watch a lot of documentaries and movies on Netflix. I like 'Downton Abbey.'
The beauty of 'The OA' or 'Stranger Things' is that they are both made by Netflix for Netflix. And so there was a freedom all of a sudden that matched our intention.
David Fincher's work has all been incredibly well-received on Netflix, and Kevin Spacey's films have all worked on Netflix.
People imagine that Netflix sprang fully formed into a global streaming giant, but Netflix might have been personalised sporting goods - or customised shampoo - or even pet food, since these were all ideas that I pitched Reed Hastings in those first months.
One of the great things about working for Netflix is that they haven't placed any restrictions on content or artistically.
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