A Quote by Franklin P. Jones

One advantage of talking to yourself is that you know at least somebody's listening. — © Franklin P. Jones
One advantage of talking to yourself is that you know at least somebody's listening.
When you talk to yourself, at least you know that someone is listening.
I would rather do a play because it's instantaneous. You go on the stage, and you know whether it's happening or not. Somebody asked me 'What is acting?' And I said, 'Acting is listening.' And if you ain't listening, nobody's listening.
Have you realized that most of your unhappiness in life is due to the fact that you are listening to yourself instead of talking to yourself?
The thing I've been talking about with daughter is the idea of - and I'm talking about essentially in America - the possibility of, a lost generation. I've been listening to a lot of music - as a fan, as a critic, as somebody who likes to dance - but I hear, you know, within these songs and half the people I hear, these philosophies encoded and embedded in these songs.
You say what you want to say when you don't care who's listening. If you're grasping to get your own voice, you're making a strained attempt to talk, so it's a matter of just listening to yourself as you sound when you're talking about something that's intensely important to you.
[Having monologue] are talking to somebody even if it's just to yourself, convince yourself if that's what you're trying to do.
You're in the car, you're talking to somebody, the radio's on, music's playing, you're not really listening to it; you're aware of it; that's passive.
Everybody is trying to take advantage of situations, and if you don't take advantage of a situation, you get taken advantage of by somebody else.
There are at least three kinds of advantages that the pitcher and batter contest. There's the physical advantage, the strategic advantage, and also the psychological advantage. I didn't want two out of three. I wanted them all.
The measure of a conversation is how much mutual recognition there is in it; how much shared there is in it. If you're talking about what's in your own head, or without thought to what people looking and listening will feel, you might as well be in a room talking to yourself.
Keep in mind, when two enemies are talking, they're not fighting, they're talking. They might be yelling and screaming, but at least they're talking. It's when the talking ceases that the ground becomes fertile for violence.
Become better listeners. Practice the art of listening in everything you do. Not just listening to yourself and your body, but listening to the people around you, listening to the plant world, the animal world. Really open your ears to what's coming at you. From there, see if you can have the ability to respond instead of react. And that usually comes with listening. If the observation and the listening are deep, then your action will be deep also.
Teaching ... particularly in the 1990s, teaching what is far and away the dumbest generation in American history, is the same as walking up Broadway in Manhattan talking to yourself, except instead of eighteen people who hear you in the street talking to yourself, they're all in the room. They know, like, nothing.
Whatever the press is talking about, they want to keep talking about it. So instead of asking yourself, 'How can I get them to start talking about me?', figure out a way to get yourself involved in what they're already talking about.
Lil Wayne is somebody who I used to ride to school listening to in my car. You know from Tha Carter to Tha Carter II, to Dedication 1 & 2, to Da Drought, his mixtapes. You know you got that for him as him being a rap legend, somebody who you look up to.
In outstanding classrooms, teachers do more listening than talking, and students do more talking than listening. Terrific teachers often have teeth marks on their tongues.
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