A Quote by Franklyn Ajaye

Obviously the audience has veto power signified by whether they laugh or not, but you-not them-retain the ultimate power to decide what they're going to get the opportunity to laugh at.
My brother was a great audience, and if he liked the picture, he would laugh and laugh and laugh, and he would want to keep the picture. Making people laugh with an image I had created... what power that was!
Comedy is the drug, when they laugh it's like I'm a jazz musician and they hear it, and they get it. It's power to take the crowd wherever I want them to go. I love it when they laugh, especially when they relate through laughter. It's a beautiful thing. It also means I'm going to get paid, which is nice.
The best way to make friends with an audience is to make them laugh. You don't get people to laugh unless they surrender - surrender their defenses, their hostilities. And once you make an audience laugh, they're with you. And they listen to you if you've got something to say. I have a theory that if you can make them laugh, they're your friends.
You get an audience to laugh and then show them something horrific, it's going to be even more horrific because they've had the release of the laugh before it.
I have done this—made the sad prince laugh. Made his grieving parents smile. None but me. Think you only kings have power? Stand on a stage and hold the hearts of men in your hands. Make them laugh with a gesture, cry with a word. Make them love you. And you will know what power is.
The ultimate objective [of comedy] is to get a laugh, so if you can get a laugh off the fact that you did not get a laugh, then you've kinda saved the moment. Other professions don't have that luxury. You don't want to hear a brain surgeon say, "Man, am I so stupid! I cut on the wrong side of your head!!"
I would get my laugh insured! Because my laugh is very important: it's a million dollar laugh, so if my vocal chords make my laugh any different, then I'm going to have to get insured.
I was afraid no one would laugh, and I wanted to pretend I wasn't noticing the audience. I didn't want the audience to get the idea I was telling a joke and waiting for a laugh.
The greatest power God gave us is the power to choose. We have the opportunity to choose whether we're going to act or procrastinate, believe or doubt, pray or curse, help or heal. We also choose whether we're going to be happy or whether we're going to be sad.
I was the youngest of the six kids, and to make my older siblings laugh, that was very important. I did a great impression of our dad that made them all laugh, so that gave me a lot of power within the family.
Ultimately, an audience wants to laugh. That's who they like, the comedian who makes them laugh.
I have a suspicion that a lot of artists are trying to get a laugh but, unlike stand-ups, they don't get an immediate response from their audience; a laugh is a rare thing in a gallery.
The only two TV shows I saw do that, where they don't warm them up and you can really bomb, was Saturday Night Live - and that's why it gets a lot of heat, too. Obviously it gets criticism fairly, too. But a lot of it is because Lorne [Michaels] lets the audience decide and doesn't force them to laugh.
Whether we laugh or cry, the days are going to pass by. So why not choose to laugh?
If I get a hard audience they are not going to get away until they laugh. Those seven laughs a minute - I've got to have them.
When I was growing up, I was obviously gay, and I got heckled every day of my life. The only way I knew how to survive was to make people laugh. If I could make them laugh, I wouldn't get hung in a locker for two hours. That's a blessing.
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