A Quote by Franny Armstrong
I have always thought that the role of the film-maker is to present the argument persuasively, emotionally and coherently and then it is over to the viewer, they are either convinced or not convinced, moved or not moved and they decide whether they will take action or not.
Related Quotes
I was born in L.A., then we moved to Hawaii, then we moved to New York, then we moved to Baltimore, then we moved to California, then we moved to Hawaii, then we moved to Texas, then we moved to Hawaii, then we moved to California. This was before I was 17.
I don’t like the idea of “understanding” a film. I don’t believe that rational understanding is an essential element in the reception of any work of art. Either a film has something to say to you or it hasn’t. If you are moved by it, you don’t need it explained to you. If not, no explanation can make you moved by it.
Humans simply aren’t moved to action by 'data dumps,' dense PowerPoint slides, or spreadsheets packed with figures. People are moved by emotion. The best way to emotionally connect other people to our agenda begins with “Once upon a time
But if I can be convinced and then through the work that we do together, the orchestra can really be convinced of the big sweep of that communication that the piece suggests, then the audience will get it and it will be a good experience for all of us.
I try to most effectively and persuasively present our argument, in a way that gives other people the information they need to decide, on the merits, the wisdom of the path that the president has advocated.
In general, the men of lower intelligence won out. Afraid of their own shortcomings and of the intelligence of their opponents, so that they would not lose out in reasoned argument or be taken by surprise by their quick-witted opponents, they boldly moved into action. Their enemies,on the contrary, contemptuous and confident in their ability to anticipate, thought there was no need to take by action what they could win by their brains.
I first came to cinema as a passionate filmgoer, when I was a child. Then, when I was a very young man, I became a film critic precisely because of my knowledge of cinema. I did better than others because of this. Then I moved on to screenwriting. I wrote a film with Sergio Leone, 'Once Upon a Time in the West.' And then I moved to directing.
Let him who would move and convince others, be first moved and convinced himself.
In the beginning the church was a fellowship of men and women centering on the living Christ. Then the church moved to Greece where it became a philosophy. Then it moved to Rome where it became an institution. Next, it moved to Europe, where it became a culture. And, finally, it moved to America where it became an enterprise.
When I get a very generous introduction like that I explain that I'm emotionally moved, but on the other hand I'm Irish and the Irish are very emotionally moved. My mother is Irish and she cries during beer commercials.
We have moved from an age in which government leaders sought to do what was best for the people to one in which the political leadership is convinced it knows what is best for the people, whether they like it or not.
If you are not moved by the character, no amount of CGI will give you a performance that is emotionally engaging or devastating - what a live-action performance does.
There are some, I know, who see beautification as a frill, as an extra, or as something that is luxurious enough to postpone. Well, they make me impatient because I am convinced that beauty and order in our environment are not frills. I am convinced that they are urgent necessities because they will determine whether our grandchildren can live in a decent land or whether they will be surrounded by glittering junkheaps.
I was born in Cairns, Queensland. Then my parents and I moved to Sydney. We moved to New Wales. We moved around Australia. I was just really close to my parents, and actually, we moved around a lot when I was very young. I think it played a big part in making me the shy teenager that I was.
[VIA DOLOROSA]'s pushing Broadway as far as it can be pushed. I stand before you as a reporter, and you have to decide whether I'm an honest reporter or not. And if you're convinced that I am honest, then I think that you will listen to me in a way that you wouldn't have listened to a fiction where scenes are made. . . . I've thought quite long and hard about what I want to say in this play. And if it means that every single sentiment that I produce is put minutely under an ideological microscope, that's fine.
Whatever was in the human nature of Christ was moved at the bidding of the divine will; yet it does not follow that in Christ there was no movement of the will proper to human nature, for the good wills of other saints are moved by God's will... For although the will cannot be inwardly moved by any creature, yet it can be moved inwardly by God.
Related Authors
Claude Lelouch Quotes
French
Film director
Costa-Gavras Quotes
French
Film director
Gabe Polsky Quotes
American
Film director
Hassan Blasim Quotes
Iraqi
Film director
James Ponsoldt Quotes
American
Film director
Jaume Collet-Serra Quotes
American
Film director
Jean-Pierre Jeunet Quotes
French
Film director
Joseph McGinty Nichol Quotes
American
Film director
Julian Huxley Quotes
English
Film director
Kimberly Peirce Quotes
American
Film director
Larry Clark Quotes
American
Film director
Laura Poitras Quotes
American
Film director
Len Wiseman Quotes
American
Film director
Oren Moverman Quotes
American
Film director
Ti West Quotes
American
Film director
