A Quote by Franny Armstrong
After I published my first book, my sister, known as Kali Willows, began writing. She fell as in love with it as I did. She has a number of short stories.
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About a year after (my stories began being published), magazine editor George Scithers, suggested to me that since I was so new at being published, I must be very close to what I had to learn to move from fooling around with writing to actually producing professional stories. There are a lot of aspiring writers out there who would like to know just that. Write that book.SFWW-I is that book. It's the book I was looking for when I first started writing fiction.
For the first time, she did want more. She did not know what she wanted, knew that it was dangerous and that she should rest content with what she had, but she knew an emptiness deep inside her, which began to ache.
"She (Minnie Ruth Solomon) was unusual because even though I knew her family was as poor as ours, nothing she said or did seemed touched by that. Or by prejudice. Or by anything the world said or did. It was as if she had something inside her that somehow made all that not count. I fell in love with her some the first time we ever talked, and a little bit more every time after that until I thought I couldn't love her more than I did. And when I felt that way, I asked her to marry me . . . and she said she would."
One night a friend lent me a book of short stories by Franz Kafka. I went back to the pension where I was staying and began to read The Metamorphosis. The first line almost knocked me off the bed. I was so surprised. The first line reads, “As Gregor Samsa awoke that morning from uneasy dreams, he found himself transformed in his bed into a gigantic insect. . . .” When I read the line I thought to myself that I didn’t know anyone was allowed to write things like that. If I had known, I would have started writing a long time ago. So I immediately started writing short stories.
My first love is my mother. She did so much for us as children as a single parent. I watched her make a dollar out of fifteen cents. I thought she was either a magician or she had God's actual phone number. She wasn't a motivational speaker; she was an inspirational speaker.
My mother - my stepmother, really, she herself have been what they call an elocutionist. And she was the one who first encouraged me to write poetry, because she used to read it to us. And then when I began to write when I was nine years old, my first poem was published in the Amsterdam News. I called it "The Graveyard."
I started writing the book without realizing I was writing a book. That sounds stupid, but it's true. I'd been trying and failing to make a different manuscript work, and I thought I was just taking a break by writing some short stories. I'm not a very good short story writer - the amazing compression that is required for short stories doesn't come easily to me. But anyway, I thought I'd try to write some short stories. And a structure took shape - I stumbled upon it.
At first, I was using my sister Susan's lyrics, as I could not write myself, only the music. And then one day, she and I had a fight, and she threatened to take away the lyrics from all the songs that I put the lyrics to, so it was that day that I began writing my first lyric to the music.
I really like IU... I just think she has the most adorable everything. Her voice is beautiful; she's talented at writing music, guitar, everything. I fell in love with her when I watched her on that drama 'Dream High.' That's probably when I first really fell in love with her.
Well, Thanksgiving we'll all gather at my house for dinner and we usually do Christmas at Beau's house. My mom is still feisty and kicking. She's 92. I saw her last night and she published a book at 90. It's a wonderful book called "You Caught Me Kissing" and it's basically love-poems that she wrote for my dad. It's more than that, it's a wonderful book.
When I was first writing 'Feed' - which was the first book I published as Mira - I talked about it very openly on my blog, on Twitter, that I was writing this book, and it wasn't until after it was sold that I said 'Mira Grant' wrote this book. And the reason there was really purely marketing-based.
Well, unfortunately, my father passed away before my first book was published, so he never lived to see me as an author. But I think my mum was suitably pleased because she was mad about words. If she ever came across a word that she didn't know, she would always look it up in the dictionary.
I was a good student, but a speech impediment was causing problems. One of my teachers decided that I couldn't pronounce certain words at all. She thought that if I wrote something, I would use words I could pronounce. I began writing little poems. I began to write short stories, too.
Francie was ten years old when she first found an outlet in writing. What she wrote was of little consequence. What was important was that the attempt to write stories kept her straight on the dividing line between truth and fiction. If she had not found this outlet in writing, she might have grown up to be a tremendous liar.
Look at Charlotte Gainsbourg, in the Lars von Trier film Antichrist. She's unbelievable. She doesn't act; she's there. She's great. And you love her for that, because it's so daring, what she has to do. And she does it as if it is nothing. I think she's brave. I fell in love with her when I saw that film. She is a revelation. Total revelation.
Tove Jansson was the most successful Finnish illustrator and writer of children's books of her day, and she was the most widely read Finn abroad. She began her life as an artist early - she had her first drawing published at fifteen.
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