A Quote by Franny Billingsley

When Rose takes to screaming, she starts loud, continues loud, and ends loud. Rose has a very good ear and always screams on the same note. I'd tested her before I burnt the library, and our piano along with it. Rose screams on the note B flat. We don't need a piano anymore now that we have a human tuning fork.
The rose is a rose, And was always a rose. But the theory now goes That the apple's a rose, And the pear is, and so's The plum, I suppose. The dear only knows What will next prove a rose. You, of course, are a rose - But were always a rose.
What sounds good on the radio is really loud kick drums and loud snare drums, when everything's bombastic and in your face. It's the equivalent of a houseguest who screams all the time.
For a smart material to be able to send out a more complex signal it needs to be nonlinear. If you hit a tuning fork twice as hard it will ring twice as loud but still at the same frequency. That's a linear response. If you hit a person twice as hard they're unlikely just to shout twice as loud. That property lets you learn more about the person than the tuning fork.
The rose is a rose, And was always a rose. But the theory now goes That the apple's a rose.
When I was in high school, I was dating this girl and wanted to make her birthday really special. I showed up early to school and went around to every single one of her classes and left a rose with her teachers. Each rose had a note with a little inside joke.
My mum at my competitions is the most embarrassing person in the world. She just screams so loud.
My real name is Amanda Rose Saccomanno, so a lot of people don't know that, but Rose is kind of special in my family as my grandma's name is Rosemary, my mom's name is Mary Rose, I'm Amanda Rose, my niece is Demi Rose.
All June I bound the rose in sheaves, Now, rose by rose, I strip the leaves.
Come near; I would, before my time to go, Sing of old Eire and the ancient ways: Red Rose, proud Rose, sad Rose of all my days.
Now the autumn shudders In the rose's root. Far and wide the ladders Lean among the fruit. Now the autumn clambers Up the trellised frame, And the rose remembers The dust from which it came. Brighter than the blossom On the rose's bough Sits the wizened orange, Bitter berry now; Beauty never slumbers; All is in her name; But the rose remembers The dust from which it came.
You're beautiful, but you're empty...One couldn't die for you. Of course, an ordinary passerby would think my rose looked just like you. But my rose, all on her own, is more important than all of you together, since she's the one I've watered. Since she's the one I put under glass, since she's the one I sheltered behind the screen. Since she's the one for whom I killed the caterpillars (except the two or three butterflies). Since she's the one I listened to when she complained, or when she boasted, or even sometimes when she said nothing at all. Since she's my rose.
That was all Rose, and Rose knew what she was doing. Her main thing was story.
I think that's why August [Wilson] named her Rose [in "Fences"]; I really do. She's a rose in her sweetness and her kindness and in everything else, even her anger towards the end.
When the baby dies, On every side Rose stranger's voices, hard and harsh and loud. The baby was not wrapped in any shroud. The mother made no sound. Her head was bowed That men's eyes might not see Her misery.
Violet heard the coughing and came running back. She sank down on the bench beside Rose, putting her arm around the older girl and holding a handkerchief to Rose's lips. "What happened?" she asked Galen, her tone just shy of being accusatory. "I am so sorry, Your Highness," Galen said, backing away. "I made her laugh, and–" "You made her laugh?" Violet's eyes widened. "She hasn't laughed in weeks!" She smiled at Galen and gave Rose's shoulders a little squeeze.
If you want to say it with flowers, remember that a single rose screams in your face: 'I'm cheap!'
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