A Quote by Franz Grillparzer
Why does the past look so enticing to us? For the same reason why from a distance a meadow with flowers looks like a flower bed.
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I think that's why Meryl Streep is working so much, because she looks like a woman we can all relate to. I look at her and I think, 'I'm chasing my kids, I've moved my parents in with me, I'm coping with food spills - that looks like me in real life'. Meryl looks like an unmade bed, and that's what I look like. To me, that looks true.
For the flowers are great blessings. For the Lord made a Nosegay in the meadow with his disciples and preached upon the lily. For the flowers have great virtues for all senses. For the flower glorifies God and the root parries the adversary. For the flowers have their angels even the words of God's creation. For there is a language of flowers. For there is a sound reasoning upon all flowers. For flowers are peculiarly the poetry of Christ.
People give flowers as present because flowers contain true meaning of love. Anyone who tries to posses a flower will have to watch its beauty fading. But if you simply look at a flower in the field, you'll keep it forever. That is what the forest taught me. That you will never be mine, and that is why i will never lose you.
My wife always asks me why I don't make the bed. And I respond with the same reason why I don't tie my shoes after I take them off.
The poet alone knows astronomy, chemistry, vegetation, and animation, for he does not stop at these facts, but employs them as signs. He knows why the plain, or meadow of space, was strown with these flowers we call suns, and moons, and stars; why the deep is adorned with animals, with men, and gods; for, in every word he speaks he rides on them as the horses of thought.
Very few people or companies can clearly articulate WHY they do WHAT they do. By WHY I mean your purpose, cause or belief - WHY does your company exist? WHY do you get out of bed every morning? And WHY should anyone care?
All flowers are flirtatious - particularly if they carry hyphenated names. The more hyphens in the name, the flirtier the flower. The one-hyphen flowers - black-eyed Susan; lady-smock; musk-rose - may give you only a shy glance and then drop their eyes; the two-hyphen flowers - forget-me-not; flower-de-luce - keep glancing. Flowers with three or more hyphens flirt all over the garden and continue even when they are cut and arranged in vases. John-go-to-bed-at-noon does not go there simply to sleep.
The difference between me and a butterfly is that the butterfly looks at a flower with no purpose in mind but to sip nectar. The flower feeds its body while for me the colours and shapes and scents of flowers feed my heart. But how arrogant of me to assume that the butterfly does not feel its miniscule heart also soar for no reason other than touching and being touched by beauty!
If writing is language and language is desire and longing and suffering . . . then why when we write, when we make shapes on paper, why then does it so often look like the traditional, straight models, why does our longing look for example like John Updike's longing?
Why would you not have a robot that looks like Abraham Lincoln? Why would it look like an erector set? Why use a computer with a punchcard, when you could use one with a touch pen on the screen? Why a car, when you could use a jetpack?
Why can't we all just acknowledge that 'nature' - that is, 'sex' or 'erotic' images, which are really just 'attracters' are everywhere. Of course a flower looks like what it looks like - that's what it is - to a bee.
Why does the past seem so magical, so fraught, so luminous? At the time it was just, ugh, another boring bloody day. But, to look back on, it's a day full of miracles and light and extraordinary events. Why is this? What process do we apply to the past, to give it this vividness? I don't know.
Liberalism, conservatism, that's irrelevant stuff to Trump. He looks at things in an entirely different way. This is a reason why we, as conservatives, have to remain vigilant as we can to the ideological component of what's going on here, because as it succeeds, we need to be able to tell people why it's working and at the same time be able to contrast and say why it didn't work when the liberals ran the show. This is an ongoing effort.
How does the Meadow flower its bloom unfold? Because the lovely little flower is free down to its root, and in that freedom bold.
On the outside, America looks like this great melting pot, but on the inside, there's this segregation in American cinema. Why does a Latino film have to be for Latinos? Why is a black film just for black people? Why?
I learned to ask myself questions like: Why is something made the way it is? Why does a motorcar look like it does? Is it right or wrong? What is an airplane? Why is it shaped like that? Then, later, I became a diver and studied subaquatic life and the streamlining of sharks and manta rays. Any fish is superior to the shapes we humans have invented - and unchanged for 250 million years, imagine!
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