A Quote by Franz Grillparzer

They are miserly, the princes of Austria, you need not grieve about it; they may not donate anything, but they allow themselves tobe fleeced, the good lords. — © Franz Grillparzer
They are miserly, the princes of Austria, you need not grieve about it; they may not donate anything, but they allow themselves tobe fleeced, the good lords.
I am really sorry to see my countrymen trouble themselves about politics. If men were wise, the most arbitrary princes could not hurt them. If they are not wise, the freest government is compelled to be a tyranny. Princes appear to me to be fools. Houses of Commons and Houses of Lords appear to me to be fools; they seem to me to be something else besides human life.
Ill fares the land, to hastening ills a prey, Where wealth accumulates, and men decay. Princes and lords may flourish or may fade,- A breath can make them, as a breath has made; But a bold peasantry, their country's pride, When once destroy'd, can never be supplied.
In our own days we have seen no princes accomplish great results save those who have been accounted miserly.
This game is repeated again and again, and in it the role of the so-called 'German princes' is just as miserable as that of the Jews themselves. These lords were really God's punishment for their beloved peoples and find their parallels only in the various ministers of the present time.
The Tiger's Curse Series has everything my heart could desire in a fantasy: exotic locations, two dashing princes, good vs. evil, the promise of danger and adventure lurking around every corner—and did I mention two dashing princes? Warning: these books may cause you to forget anything else exists until you've turned the last enthralling page. And then you'll want to start all over again!
One thing about Guantánamo, beyond anything else, is the commitment against all odds to allow Americans to view themselves as the good guy, no matter what the situation is.
It is a maxim in philosophy that ambitious men can be never good counselors to princes; the desire of having more is common to great lords, and a desire of rule a great cause of their ruin.
Everything made by man may be destroyed by man; there are no ineffaceable characters except those engraved by nature; and nature makes neither princes nor rich men nor great lords.
People who identify themselves as conservatives donate money to charity more often than people who identify themselves as liberals. They donate more money and a higher percentage of their incomes.
If thou takest virtue for the rule of life, and valuest thyself upon acting in all things comfortably thereto, thou wilt have no cause to envy lords and princes; for blood is inherited, but virtue is common property, and may be acquired by all; it has, moreover, an intrinsic worth, which blood has not.
Grieve only if you have committed a sin, but even in this case do not grieve too much, otherwise you may become desperate.
The National Socialist Party in Austria never tried to hide its inclination for a greater Germany. That Austria would one day return to the Reich was a matter of course for all National Socialists and for true Germans in Austria.
When my first film 'The Seventh Continent' was presented here 12 years ago, non-Austrian spectators would come up to me and say, 'Is Austria that terrible?', whereas for me it wasn't about Austria but about highly industrialised cultures everywhere.
Matt Le Tissier had firm views about Austria's reluctance to allow Turkey full membership of the EU last Saturday, I seem to recall.
People who find that they have a lot of drama in their relationships need to allow themselves to get 'bored'. At first, it will feel excruciating, and they may find themselves confronting a very real fear underneath all that drama: being truly close and therefore vulnerable to another human being.
You need someone who has a really good way of enabling trust in the cast and crew, or the cast particularly, to allow them the confidence to stretch themselves to get the performance that you're going to need to provide all of the emotional up and downs in the film.
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