A Quote by Franz Kafka

Everything you say is boring and incomprehensible, but that alone doesn't make it true. — © Franz Kafka
Everything you say is boring and incomprehensible, but that alone doesn't make it true.
Journalists, whose job is to pull back and tell dramatic stories that bring power into focus, find it impossible because things like economic theory are both incomprehensible and, above all, boring. The same is true of 'management science.'
People say history is boring, and that is true because people are boring. We haven't changed since time began. We're still the same.
Most of my show is true; like, 90% of everything I say on stage is true. I just have to find the way to make it funny - that's the difficult thing.
I sometimes say that I don't make anything up - obviously that's not true. But I am uninterested in writers who say that everything comes out of the imagination. I would rather be in a room with someone who is telling the story of his life, which may be exaggerated and even have lies in it, but I want to hear the true story, essentially.
There's no blueprint; getting married doesn't make you boring, having kids doesn't make you boring, having money doesn't necessarily have to make you boring.
He's gonna try and stand back, mess me about a bit, be cagey and hold on the inside and make it one of them fights that are boring. I don't wanna make a boring fight. I don't like to be involved in boring fights!
People say history is boring, and that is true because people are boring. We haven't changed since time began. We're still the same. We've obviously made some changes. When we started, it was all about food, clothing and shelter. Now we watch 'Top Chef', 'Project Runway', and 'Extreme Makeover: Home Edition.
People say history is boring, and that is true because people are boring. We haven't changed since time began. We're still the same. We've obviously made some changes. When we started, it was all about food, clothing and shelter. Now we watch 'Top Chef', 'Project Runway', and 'Extreme Makeover: Home Edition.'
I think the avant-garde often hides itself in the highly incomprehensible because they are frustrated that the real world is so boring.
Painting is the making of an analogy for something non-visual and incomprehensible - giving it form and bringing it within reach. And that is why good paintings are incomprehensible. Creating the incomprehensible has absolutely nothing to do with turning out any old bunkum, because bunkum is always comprehensible.
I used to say to my bubbe, 'Bubbe, is this story true?' And she'd say, 'Of course it's true! But it may not have happened.' What my bubbe was saying is profound: All stories are true. The truth is the journey you take through it - did it make you laugh, cry, seek and want justice? Then it's true.
It's true that I don't think I'd be a good director. If I were a director, I'd try to hire the best people I could and then leave them alone. I don't know much about cameras or lighting, so I'd make sure that I had a really good cameraman who understood lenses and lighting, and I say to him, "This is the scene we have to shoot and this is what I think it should be, you go do it." Same with actors. But really, very good directors who know everything do basically the same thing. They hire you and then they leave you alone.
It's only when I say that everything is incomprehensible that I come as close as possible to understanding the only thing it is given to us to understand.
I guess I found it useful to realise that everything is true at once, you know? You can pull back and say, 'Everything will be fine,' but you can also be in a situation and say, 'Not everything is going to be fine.'
People are always so boring when they band together. You have to be alone to develop all the idiosyncrasies that make a person interesting.
The way to become boring is to say everything.
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