A Quote by Franz Kafka

I can't feel a thing; All mournful petal storms are dancing inside the very private spring of my head. — © Franz Kafka
I can't feel a thing; All mournful petal storms are dancing inside the very private spring of my head.
A storm was brewing. The wind has picked up and a mass of purple clouds was coming in from the West. It felt good to have my hair whipping around my head. I thought it might feel good to have hail beat down on me. Sometimes storms outside are the only relief for storms inside.
Your slightest look easily will unclose me, though I have closed myself as fingers, you open petal by petal myself a Spring opens her first rose.
..I fancied you'd return the way you said, But I grow old and I forget your name. (I think I made you up inside my head.) I should have loved a thunderbird instead; At least when spring comes they roar back again. I shut my eyes and all the world drops dead. (I think I made you up inside my head.)
I'd feel a little bit dead inside, if I didn't have dancing. It's such a way of expression and exercise and life and love. You laugh, when you're being corny and dorky-dancing. It's everything.
The head of the hurricane research division, Hugh Willoughby, told me that hurricanologists can predict the behavior of storms if those storms behave predictably.
Life is a stream On which we strew Petal by petal the flower of our heart.
I have a thing for major 7ths. They've got a very mournful, nostalgic quality to them.
I still feel like everybody else, that I'm just growing and learning. Basically, I feel pleased to have discovered this thing that's inside me, that's connected to the same thing that's inside everybody and everything.
My spiritual life is an interesting thing. It's pretty private. I was raised Catholic in the Baptist Bible belt, so my spirituality was challenged and very much a private thing and it continues to be.
When it comes to acting, you really have to create movement which in some ways is dancing. And dancing, I feel is very important to act as well. I wouldn't put one over the other.
I learned capacity for self-reflection very early, finding it through interior monologues that books are so good at and that visual media is so bad at because it's so boring - nothing's happening. In a book, you can be inside the narrator's head for 50 pages, and nothing needs to happen. Then you learn to be inside your own head without something needing to happen. It's a very good antidote to a crazy, restless, "what's next?" culture - that you can just be in your own head and nothing is happening except that this is a rich place. I love that.
One misunderstandin g is that if you do the right thing, then life's storms will stop. If you do the right thing, the storms actually get bigger. This is because they know they can't blow you down like they used to, and now it's going to take a lot more energy to find out if you are conscious.
I know I always say my occupation is not dancing, but dancing is in my heart, dancing makes me feel good.
I set my toothbrush down, then leaned into the mirror and stared into my own eyes. I could feel myself disintegrating inside myself like a past-bloom flower in the wind. Every time I moved a muscle, another petal of me blew away. Please, I thought. Please.
I was okay with singing. I always sneak a song into everything I do. Dancing, a little awkward. Little embarrassed about that. I don't move well. But I was with a frog, so it doesn't matter. I'll do anything with a frog, that's my motto. He's great with tap-dancing or flap-dancing on my head. So no one's going to be looking at me when we're doing that dance. They're going to be saying, 'There's a frog dancing'.
It is very important and my success very much depends on the harmony that I feel in my private life. It is essential for me to be happy in my private life. And if it continues, I am able to continue playing tennis.
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