A Quote by Franz Kafka

Time is short, my strength is limited, the office is a horror, the apartment is noisy, and if a pleasant, straightforward life is not possible, then one must try to wriggle through by subtle manoeuvres.
I am blind and limited. I would be a fool think myself wise. And so, not knowing what the universe means, I can only try to be responsible with the knowledge, the strength, and the time given to me. I must be true to my heart.
I'm a fan of short horror fiction... in fact, the most memorable horror I've read is of the short variety... but I have a hard time pulling it off myself.
If a man wants to read good books, he must make a point of avoiding bad ones; for life is short, and time and energy limited.
I always knew I'd keep at it with the plodding doggedness that I used to master lump-less gravy and wriggle out of fitness classes; I always knew I'd get a zillion rejection slips. I figured I'd write part time while working various full-time office jobs, and maybe, maybe in my 50s, I'd be able to quit and try writing full time.
That's always been my philosophy: I try to just be as straightforward as possible, and then I don't really have to question what I said or regret anything.
One can never read too little of bad, or too much of good books: bad books are intellectual poison; they destroy the mind. In order to read what is good one must make it a condition never to read what is bad; for life is short, and both time and strength limited.
When I find that I am more conscious, it's because I'm in tune with a higher reality. When I'm less conscious, it's because I've cut off that entunement to some extent. Maybe through drinking, through anger, through whatever. And I realized then that God has to be an infinite consciousness, and that I had to be an expression of that consciousness. And that the goal of life then must be to become more and more in tune with that consciousness. And I decided to give my life to God. And around that time, to make a long story short, I found Autobiography of a Yogi.
If some hole does not possess striking individuality through some gift of nature, it must be given as much as possible artificially, and the artifice must be introduced in so subtle a manner as to make it seem natural.
When somebody asks me a question, I try to be as straightforward about it as possible. I try not to overthink what I'm going to say in an interview.
Given the scale of life in the cosmos, one human life is no more than a tiny blip. Each one of us is a just visitor to this planet, a guest, who will only stay for a limited time. What greater folly could there be than to spend this short time alone, unhappy or in conflict with our companions? Far better, surely, to use our short time here in living a meaningful life, enriched by our sense of connection with others and being of service to them.
The thinking man must oppose all cruel customs no matter how deeply rooted in tradition or surrounded by a halo. We need a boundless ethics which will include the animals also. My life is full of meaning to me. The life around me must be full of significance to it. If I want others to respect my life, then I must respect the other life I see however strange it may be to mine. Ethics in our western world has hitherto been largely limited to the relation of man to man... but that is a limited ethics.
An actor must interpret life, and in order to do so must be willing to accept all the experiences life has to offer. In fact, he must seek out more of life than life puts at his feet. In the short span of his lifetime, an actor must learn all there is to know, experience all there is to experience, or approach that state as closely as possible. He must be superhuman in his efforts to store away in the core of his subconscious everything that he might be called upon to use in the expression of his art.
Life is too wonderful, too full, too short and strength too limited to contain its wonder.
The same intelligence is required to marshal an army in battle and to order a good dinner. The first must be as formidable as possible, the second as pleasant as possible, to the participants.
Although I'm very lazy when it comes to writing, I'm not that lazy when it comes to thinking. I like to develop the plan of a short story, then cut it as short as possible, try to evolve all the necessary details. I know far more about the characters than what actually comes out of the writing.
The encouraging thing is that every time you meet a situation, though you may think at the time it is an impossibility and you go through the tortures of the damned, once you have met it and lived through it you find that forever after you are freer than you ever were before. . . . You gain strength, courage, and confidence by every experience in which you really stop to look fear in the face. You are able to say to yourself, “I lived through this horror. I can take the next thing that comes along.
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