A Quote by Franz Marc

The great artists do not seek their forms in the midst of the past, but take the deepest soundings they can of the genuine, profoundest of their age. — © Franz Marc
The great artists do not seek their forms in the midst of the past, but take the deepest soundings they can of the genuine, profoundest of their age.
Leonard de Vinci, for example, is a great artist, but he is living in the past. However, I don't feel John Cage and Matsuzawa Yutaka as artists who live in the past. Their ideas are still alive in our world because they express the very important concerns of our age. That is why I could trust them as "contemporary artists".
A great number of soundings, mainly along the continental slope of the New England States were also taken by the vessels of the United States Fish Commission. Important soundings were made by the United States Fish Commission steamer ALBATROSS in the Caribbean, during the winter of 1883-1884.
New needs need new techniques. And the modern artists have found new ways and new means of making their statements... the modern painter cannot express this age, the airplane, the atom bomb, the radio, in the old forms of the Renaissance or of any other past culture.
Out of our deepest memories come the forgotten forms of the past, given new life by the living sentience of an ancient and eternal forest.
The obscurest sayings of the truly great are often those which contain the germ of the profoundest and most useful truths. Genius rapidly traverses the living present to bury itself in the deepest mysteries of the universe; often making the grandest discoveries at a single glance.
It seems to me that the modern painter cannot express this age, the airplane, the atom bomb, the radio, in the old forms of the Renaissance or of any other past culture. Each age find its own technique.
The earliest instinct of the child, and the ripest experience of age, unite in affirming simplicity to be the truest and profoundest part for man. Likewise this simplicity is so universal and all-containing as a rule for human life, that the subtlest bad man, and the purest good man, as well as the profoundest wise man, do all alike present it on that side which they socially turn to the inquisitive and unscrupulous world.
The profoundest of all sensualities is the sense of truth and the next deepest sensual experience is the sense of justice.
The biggest thing is education for young chefs and how they should focus on one cuisine rather than trying to imitate too many. It's like art - you can see the cycles from many past artists and new artists being inspired by past artists.
Secrets can take many forms. They can be shocking or silly or soulful. They can connect us with our deepest humanity, or with people we'll never meet again.
If nature leads us to mathematical forms of great simplicity and beauty - by forms I am referring to coherent systems of hypothesis, axioms, etc. - to forms that no one has previously encountered, we cannot help thinking that they are "true," that they reveal a genuine feature of nature... You must have felt this too: The almost frightening simplicity and wholeness of relationships which nature suddenly spreads out before us and for which none of us was in the least prepared.
It's difficult to seek other people's love. It's deadly. In seeking it you lose what is genuine. This is the prison we create for ourselves as we seek what we already have.
Vulnerability of artists is definitely what makes organizations like PEN necessary because, as I tried to argue, the actual work that writers and artists do has an ornery way of surviving. Particularly in this age of the internet, it is very easy for forbidden work to be found online somewhere if you know where to look. Artists themselves, however, are in increasing danger, and not just artists. The great concern is that year after year, rising numbers of journalists are being killed in pursuit of their work.
Everything comes by being! Be the love you seek. Be the friend you seek. Be the lover you seek. Be the honesty you seek. Be the integrity you seek. Be the patience you seek. Be the tolerance you seek. Be the compassion you seek.
But Chinese civilization has the overpowering beauty of the wholly other, and only the wholly other can inspire the deepest love and the profoundest desire to learn.
If I am convinced that I will procure the profoundest idea only by undergoing the profoundest pain, I shall beg for strength to endure that pain.
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