A Quote by Franz Marc

Art will liberate itself from the needs and desires of men. No longer will we paint a forest ora horseas we like oras theyappear to us, but as they really are. — © Franz Marc
Art will liberate itself from the needs and desires of men. No longer will we paint a forest ora horseas we like oras theyappear to us, but as they really are.
No longer shall I paint interiors with men reading and women knitting. I will paint living people who breathe and feel and suffer and love.
Liberate the minds of men and ultimately you will liberate the bodies of men.
I will tell you what I will do and what I will not do. I will not serve that in which I no longer believe, whether it calls itself my home, my fatherland, or my church: and I will try to express myself in some mode of life or art as freely as I can and as wholly as I can, using for my defense the only arms I allow myself to use -- silence, exile, and cunning.
The well-educated young woman of 1950 will blend art and sciences in a way we do not dream of; the science will steady the art andthe art will give charm to the science. This young woman will marry--yes, indeed, but she will take her pick of men, who will by that time have begun to realize what sort of men it behooves them to be.
Men's bodies are our women's works of art. Given to us power of control, we will never carelessly throw them in to fill up the gaps in human relationships made by international ambitions and greeds ... War will pass when intellectual culture and activity have made possible to the female an equal share in the governance of modern national life; it will probably not pass away much sooner; its extinction will not be delayed much longer.
There's nothing to stop a man from writing unless that man stops himself. If a man truly desires to write, then he will. Rejection and ridicule will only strengthen him. And the longer he is held back the stronger he will become, like a mass of rising water against a dam. There is no losing in writing, it will make your toes laugh as you sleep, it will make you stride like a tiger, it will fire the eye and put you face to face with death. You will die a fighter, you will be honored in hell. The luck of the word. Go with it, send it.
The appalling and shameful scene ("spectacle", Fr.) of disarray and illogicality that manifest itself in the thought and deeds of men, will no longer be seen, once these will possess an enlighten consciouness.
A work of art is itself an object, first of all, and so manipulation is unavoidable: it's a prerequisite. But I needed the greater objectivity of the photograph in order to correct my own way of seeing: for instance, if I draw an object from nature, I start to stylize and to change it in accordance with my personal vision and my training. But if I paint from a photograph, I can forget all the criteria that I get from these sources. I can paint against my will, as it were. And that, to me, felt like an enrichment.
If both the physiological and the safety needs are fairly well gratified, then there will emerge love and affection and belongingness needs, and the whole cycle already described will repeat itself with this new centre. Now the person will feel keenl
Help people to meditate, because there is nothing more creative than meditation. Each art and each creativity can be tremendously enhanced by meditation. If somebody is a painter and he starts meditating, his painting will have a sudden jump, it will become tremendously profound - because whatsoever you paint reflects your mind. If the mind goes deeper, your painting will go deeper. You paint your mind. What else can you paint? You paint yourself.
You know, it's just like being a peddler. You want two breasts? Well, here you are -- two breasts. We must see to it that the man looking at the picture has at hand everything he needs to paint a nude. If you really give him everything he needs -- and the best -- he'll put everything where it belongs, with his own eyes. Each person will make for himself the kind of nude he wants, with the nude that I will have made for him.
If I were a painter, I would paint beautiful bodies - I would paint nipples, and I would paint Bibles. Am I going to say, 'I'm not going to paint this woman's neck because people will think I just want to lick on necks?' Please! That's not what art is about.
Our Father awaits us with great zeal and desire, and with love He will see us returning from afar, and He will look upon us with compassionate eyes, and we shall be dear to Him, and He will fall on our neck running and embrace us and kiss us with His Holy Love. He will not reproach us, and He will no longer remember our sins and iniquities, and all the holy angles and all His elect will begin to rejoice over us.
Men are so simple and yield so readily to the desires of the moment that he who will trick will always find another who will suffer to be tricked.
This is what I believe: That I am I. That my soul is a dark forest. That my known self will never be more than a little clearing in the forest. That gods, strange gods, come forth from the forest into the clearing of my known self, and then go back. That I must have the courage to let them come and go. That I will never let mankind put anything over me, but that I will try always to recognize and submit to the gods in me and the gods in other men and women. There is my creed.
One of the reasons why I say we all need to work together to save the Congo forest, because if we don't save the Congo forest, the Amazon forest and the southeast Asia forest, if those forests release the carbon they are trapping at the moment, much of what you will be doing in the North will be negated by the amount of carbon released into the atmosphere.
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