A Quote by Franz Wright
I've always envied people who compose music or paint, because they don't have to be bothered with the sort of crude mess that language normally is, in everyday life and in the way we use it.
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I'm always looking for ways to explore the politics of the everyday. For me, the proverbs were a way of bringing in this ancient wisdom that in Arabic culture is often quoted. Those proverbs are such a huge part of the language and parts of people's every day. This is the wisdom that we use in our everyday life but we're not always listening to.
To be an artist, you don't have to compose music or paint or be in the movies or write books. It's just a way of living. It has to do with paying attention, remembering, filtering what you see and answering back, participating in life.
Being a slow reader would normally be a deficiency; I found a way to make it an asset. I began to sound words and see all those qualities - in a way it made words more precious to me. Since so much of what happens in the world between human beings has to do with the inconsideration of language, with the imprecision of language, with language leaving our mouths unmediated, one thing which was sensuous and visceral led to, in the use of language, a moral gesture. It was about trying to use language to both exemplify and articulate what good is.
I play piano and that's my love. I read and I paint and I compose music, so I've got a pretty full creative life. And it's not because, I'm obsessively creative.
Paint is something that I use with my hands and do all those tactile things. I really don't like oil because you can't get back into it, or you make a mess. It's not my favourite thing - pencil is more my medium than wet paint.
I've played in San Diego for nine years and gone against my new team a bunch of times, and I've always envied their success. I've always envied the way they play, the way they go about business.
I've always believed that you have to have the skills before you destroy the skills. If you want to be crude, be crude, but don't be crude because you don't know how to do it, because you're not perfect at drawing and pattern-cutting.
Music, the word we use in our everyday language, is nothing less than the picture of our Beloved. It is because music is the picture of our Beloved that we love music.
I put one questions. For whom I compose? My answer is I wanted to address to all my people. And if I write music for the Greek people because I'm Greek, I compose for all the people.
I think youth will always be connected to the strongest music at the time because... I don't want to use the word 'tribal,' but there was this sort of familial affiliation that people would feel with the music they were listening to.
Normally, when people compose for film, you give them the film, and they look at it, and they compose it.
My artistic process involves pens, gesso, acrylic paint, and markers, all on vellum. I use a window painter's technique and paint on the backside of my image before I mess with the front.
When philosophers use a word--"knowledge," "being," "object," "I," "proposition," "name"--and try to grasp the essence of the thing, one must always ask oneself: is the word ever actually used in this way in the language-game which is its original home?--What we do is to bring words back from their metaphysical to their everyday use.
I always talk about my ambition with music, and it's to sort of seduce people into listening to sounds they wouldn't normally listen to or want to hear.
Comedians take a neat situation and turn it into a mess. And in my books I do the same thing, but it's the other way around. I like to mess around with mess. A mess is only a mess because someone tells you it is.
It's funny how I use social media because I don't use it to promote my restaurants that much. I use it for social issues and I think that's what it's for. I do a few things - I mess around with music a lot because that's a passion of mine. If something strikes me and I want to share it, I do.
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