A Quote by Fred Alan Wolf

The shamanic realm is to get you out of the word set. For skeptics, that's impossible, and they just can't see that and it just makes no sense. — © Fred Alan Wolf
The shamanic realm is to get you out of the word set. For skeptics, that's impossible, and they just can't see that and it just makes no sense.
It's a sense of pride, a sense of you set out to get a record deal, and we got that. We set out to get a No. 1 record, and then we got that. Then you say, 'Wow, that was impossible and now even more impossible is to stay No. 1 and stay current and put out new records that people care about,' and we really stuck to that.
I campaigned for [Barack] Obama for more than a year. I was in Iowa, Minnesota, California, Arizona - just traveling around to help get the word out. It was such a huge, spirited campaign, and so positive. But you travel around to cities in the U.S. now and there's just this hopelessness that has set in. It makes it hard to understand why it seems so impossible to make any kind of progressive change with an administration that is seemingly progressive, or why we keep encountering such political roadblocks to change.
When Elvis was performing, you just tried to figure out a way to get there. I think he set all the records and anyone that has ever had the good fortune to see him, you know what it's like to try to get in to see Elvis. It was impossible, practically.
Instead of working so hard to prove the skeptics wrong, it makes a lot more sense to delight the true believers. They deserve it, after all, and they're the ones that are going to spread the word for you.
I don't usually see what I've done. I don't often watch the film or watch the show. It's really about that experience on-set and within the scene. Because later, when the film comes out or the show comes out it's the editor's realm or the director's realm. But that moment on set, that's that electricity between me and another actor, and that's really what excites me.
I wonder whether my bleak-o-meter is set differently from other people's. I have such passion for what I do that I can't see it as bleak. When people use that word, or “grim” or “gritty,” I just think, “Oh, come on, look a bit deeper.” My films don't give you an easy ride. I can see that. The sense I get is that people have quite a physical experience with them. They feel afterwards that they've really been through something.
When you get just a complete sense of blackness or void ahead of you, that somehow the future looks an impossible place to be, and the direction you are going seems to have no purpose, there is this word despair which is a very awful thing to feel.
So for a guy like Karrion Kross to set his sights right at the top of the card and want to get right into a big program and make a name for himself and make an impact, I fully get it, it makes sense that the two of us got paired together because I think that, for the fans, it's one of those match-ups that they just wanted to see.
When you're home or you're working, your mind just isn't allowed to just roll on like it does when you're watching the scenery go by. You're hurdling through space but you're not really moving. ...It's that dreaminess, that ability to just get dreamy while you're looking out the window and you see something...and it makes you think of something else, and all of a sudden the words are just flowing out of you.
Words are substance strange. Speak one and the air ripples into another's ears. Write one and the eye laps it up. But the sense transmutes, and the spoken word winds through the ear's labyrinth into a sense that is no longer the nerve's realm. The written word unfolds behind the eye into the world, world's image, and the imagination sees as the eye cannot see-thoughtfully.
I can go into New York and sell out a theatre, but I didn't have to fight my way to get there: I was already a made man from television. I sold out a theatre in London without any TV exposure, just word of mouth and being a good comic, and that was a much bigger sense of accomplishment than just being a guy from telly.
Just as music is noise that makes sense, a painting is colour that makes sense, so a story is life that makes sense.
I mean the word proof not in the sense of the lawyers, who set two half proofs equal to a whole one, but in the sense of a mathematician, where half proof = 0, and it is demanded for proof that every doubt becomes impossible.
Exploration is a wonderful way to open our eyes to the world, & to truly see that impossible is just a word.
Well, you can do whatever you want, but just don’t call it inequality. Put the word poverty there. Because we have many rich people on our board, and when they see the word poverty that makes them feel good, because [it means] they’re really nice people who care about the poor. When they see the word inequality it makes them upset, because [it means] you want to take money from them.
It's something I'd find rather distracting in a historical piece, looking at characters that have obviously just gotten off their Ab Blaster. You see a piece set in the 1300s or the 1800s, and you've got characters who have perfect abs and are incredibly well-groomed, not a hair out of place, and it just doesn't make sense.
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