A Quote by Fred Armisen

I wanted so badly to be in a famous band, and it was not happening. I played drums with different bands and with the Blue Man Group in Chicago, but I definitely felt like, 'Wow, I did not picture my life being like this.'
I played in rock bands in college and then right out of college I moved over to Europe and lived in Ireland for about four years playing in indie rock bands. I love and miss being in a band, I still am in a band but pursuing that as a career I definitely missed it but I felt like that ship had sailed.
All I ever wanted to do was play the drums; I felt good about myself when I played the drums. So I worked anywhere and everywhere I could lug my drums in.
Growing up I played in garage bands and cover bands with my older brother, and he got us a gig opening up for some hippie jam band. I was 15. I felt like such an adult!
All Pro Dad is an organization that started down in Tampa in 1997. And it was just a group of us who felt like we weren't doing as good a job as our fathers did in connecting with kids and being there and being involved in their lives, working and coaching and spending all the time we had to. We just felt badly.
I used to hate being different. I used to cry. I wanted to be blonde-haired and blue-eyed like all of my girlfriends. My mom and dad would feel so badly - 'No, it's OK. You'll be happy you're different later.
My father was always in bands. He played drums and could sing. And my grandfather was a band leader.
I like to say that I do covers of my own songs. And I have about a dozen bands all over the world. That's no exaggeration. I have a South African band, an Australian band, Swedish bands, English bands, American bands. They're all notable musicians, too.
At a young age I thought, 'Wow, that fiddle thing, that's pretty cool. That mandolin is great. These drums, I like these drums ' They were Indian drums. And I was saying, 'But that guitar. That guitar. Girls are going to like that guitar.'
At a young age I thought, 'Wow, that fiddle thing, that's pretty cool. That mandolin is great. These drums, I like these drums... ' They were Indian drums. And I was saying, 'But that guitar. That guitar. Girls are going to like that guitar.'
I was in band that played mostly covers for a while, and the bands that we would cover were, like, the alternative rock bands of that day: we did a Jane's Addiction song and a Faith No More song. All the kind of alternative radio of that time, the late '80s, basically.
F irst and foremost I am a drummer. After that, I'm other things... But I didn't play drums to make money. I played drums because I loved them... My soul is that of a drummer... It came to where I had to make a decision - I was going to be a drummer. Everything else goes now. I play drums. It was a conscious moment in my life when I said the rest of things were getting in the way. I didn't do it to be come rich and famous, I did it because it was the love of my life.
When I was a kid, I was playing in various bands - amateur bands, garage bands, weekend bands, you name it, around the area. At some point, I just wanted to try the whole 'Beatle tribute band' thing, so I found a local band that was doing that.
I feel like there's not as many bands anymore. It's more like there's a front-person and a band supporting them, solo-type spirits that have a look, a vibe, a message, a voice and a style. I was talking about it with a journalist in Europe; he was like, "You're a democracy; everyone in the band does stuff." There's not a lot of bands I can think of that still have it so every member of the band has an equal say. I was like, dude, you're right. I can't really think of any right now. There might be one or two leaders in them, but there are not a lot of bands like that anymore.
There are bands that make parodies of being in a band, like Spinal Tap. That's a big influence. They're making fun of a rock band, but they write lyrics that are better than real rock bands.
The key to me is being different not for the sake of being different, but being the most authentic version of what you do. And definitely it takes a willingness to be different, because there was resistance for me early on, and I feel like that's usually the case when there's a certain paradigm or trend happening, and you step outside of that.
I had a jazz trio, a rock n' roll band, and I played drums in junior high, high school, college, big bands, and I played timpani in the symphony. I am a drummer. It's the one instrument I actually play pretty well. It's just hard to carry on your back.
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