A Quote by Fred Armisen
Discomfort is the way to go if you want to make something you feel is worthwhile.
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What people really want is not to make something funny, but to make something amusing - which, in many ways, is the opposite of funny. To amuse someone is to eliminate discomfort and awkwardness, kind of like a massage for the brain, while to be funny is to point out awkwardness and discomfort. Everyone thinks they want funny, but they really want amusement.
I want to go home at night and feel discomfort.
I don't feel that way now. I don't want to make movies for the 10 people who feel exactly the same way about the world that I do. I want to make movies that many, many people see, and I want to say something that I believe is important in a way that people who don't agree with me can hear. And that involves making different kinds of choices, but it's not like a compromise that I'm making. It's that something else interests me, something else is appealing to me.
What the English call "comfortable" is something endless and inexhaustible. Every condition of comfort reveals in turn its discomfort, and these discoveries go on for ever. Hence the new want is not so much a want of those who have it directly, but is created by those who hope to make profit from it.
I don't ever like to feel myself in the position to demand of an actor that they trust I'm going to do something worthwhile. I feel a responsibility to articulate what it is I'm going to do. Whether that's showing them a full script or sitting down with them and describing my ideas in detail. It's a very healthy burden on me as a film director to be able to articulate what I want to do, to inspire actors, rather than just saying, take it on trust I'll be able to do something worthwhile.
You don't want to go and make something, then go out and do shows, if you're not really into it. You don't want to go out there and make people feel like you're grudging playing them a song. That's a disturbing thought.
Be content where you are! The sooner I let go of the notion that something could only be one way, the way I had planned it, without fail, I have always gotten more done and with far less discomfort.
I want to add something worthwhile rather than just chucking loads of stuff into the world. I don't want to feel responsible for adding to the soup of mediocrity.
The purpose of art actually is, in many cases, to make you feel quite uncomfortable. Or at least to go to that place that's already of discomfort inside of you and tap into that.
Eventually, when I got the 'Meadowland' script, I saw something in it that made me think I could make something special out of it, something that could work with my style. Emotionally, I connected to it. I thought, 'If I feel this way just imagining it, maybe we can make that happen on screen and make people feel something when they watch it.'
I want to go and write music that announces to you that you can feel something. I don’t want to tell you what to feel, but I just want you to have the possibility of feeling something.
If you want to make someone feel emotion, you have to make them let go. Listening to something is an act of surrender.
I have a little two-bedroom house and that's the way I like it. We live in a time where it's cool to present this luxurious lifestyle on social media. I don't want to be a part of something that makes people not be happy with their own life and crave this false sense of reality. I don't want people who are working that blue-collar job and barely getting by to feel bad. I don't want those people to feel like they're not doing something right because they're not flying around on jets or driving fancy cars. I never want to make them feel like they're not worthy.
When I have an exhibition, I usually arrange it so that if people want to, they can spend two hours there. That way, people who like it don't feel cheated when they go. I want them to walk into the exhibition space and look low and at other levels and angles. The same with emotions. I want them to be emotionally manipulated, to come out feeling something. I want them to laugh, smile, feel sad. Even if they feel angry, that's okay.
We all like to believe we are completely self-sufficient, but at the end of it all, we're all searching for a human connection, something to make it all feel a bit more worthwhile.
First of all, a man, whether seeking achievement on the athletic field or in business, must want to win. He must feel that the thing he is doing is worthwhile; so worthwhile that he is willing to pay the price of success to attain distinction.
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