A Quote by Fred Armisen

Everyone knows deep in their hearts that the drums are the coolest instrument, and that a band is only as good as its drummer. So I'm all for drum solos. I'm all for drummers hamming it up. I'm all for drummers standing up and kicking over the kit.
In rock & roll heaven, there ARE drum solos, but only the drummers can hear them.
My dad was a kind of semiprofessional Dixieland-type drummer, and I learned the drums from him. When I was about twelve, we bought our first Ludwig drum set from a pawnshop - a marching-band bass drum, great big tom-toms, and big, deep snare drums.
I find that drummers are the coolest people in the world. I play a little bit of drums.
I'm very influenced by jazz drummers. I always liked drummers like Roger Taylor, Keith Moon, Ian Paice, John Densmore. I just learned from playing to those drummers.
The drummer is stereotypically the dumb guy. Maybe that's why I always respect drummers who do more than drum.
You'd be surprised. Drummers ape each other. The way every rock n' roll record sounds like something else but not all together. Everything other drummers play, if you're playing drums, they all hear.
My drummer right now, who was also the first drummer in Weeping Tile, Jon McCann, told me that [Hip drummer] Johnny Fay took drum lessons from [McCann's] dad, who taught a lot of the drummers in Kingston. He said that when he was in Grade 9, the Hip were the model; the goal was to get an agent and gig as much as possible.
It's much easier to have a diversified career as an electronic musician than it is as a drummer. Nothing against drummers. If you're a drummer, you just wait around for people to ask you to play drums. But if you have your own studio and can make music, you have the ability to approach music a lot differently.
PimpCo is a little business I've got, which basically offers drummers the affordable opportunity to make their drums that little bit more bespoke. I love drums and love how they look, so we offer re-wrapping to reboot your old kit, a hardware lacquering service - the black looks amazing, and bespoke snare drums.
As far as drummers are concerned, when I was a child growing up I was really attracted to artists like Gene Kupra and Louis Bellson and Buddy Rich; a lot of the drummers that played in the popular big bands of the '40s. I would listen to their records.
Most drummers are covered with a million drums, and everyone is like, 'What are you doing back there?'
I was one of the original drummers. What everyone likes to do is think of Lynyrd Skynyrd as the band that picked up again in '73. But I was one of the original members, and I was a big part of that.
I based my tuning on Gene Krupa, Buddy and Joe Morello. I knew how I wanted the drums to sound and we did the best we could with a beat up Ludwig kit. I spent a lot of time around drummers learning how to get sound. I knew the sound I was after and what would work for what we were playing.
It's hard to sing really well when you're playing an instrument, but it'd be great to try and sing really well and have vocal effects and one drummer on a real drum-kit, and one on an electronic kit.
I think at one time every drummer wanted to play like Krupa or wanted to win a Gene Krupa drum contest. This is the big inspiration for drummers and naturally it has to be the same way for me.
With 'Iowa,' if you ask me, we really passed up a lot of things that we could have done with the two auxiliary drummers. I mean they hardly touched their drums on that album.
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