A Quote by Fred Armisen
I'm glad I get to do characters. It's just like a Polaroid shot of whoever the person is, and to me, anyway, that's kind of what life is like. You get a general sense of somebody, and then we're all good, we get it. We understand each other.
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Well, there's no other person like me. Ain't nobody else like me. It's flattering. I don't like to do it too much because I get tired of me. But people ask, so I get to do it every now and then.
For me, it's common sense to treat other people like you would like to be treated. Empathy is a broad concept, but how do you get there? People get there differently. I get there by truly building a little trust and connection. You'll tell me something, I'll act on it, and then that builds on itself.
I get upset over a bad shot just like anyone else. But it's silly to let the game get to you. When I miss a shot I just think what a beautiful day it is. And what pure fresh air I'm breathing. Then I take a deep breath. I have to do that. That's what gives me the strength to break the club.
When I look at me, I think I'm a good catch. Why wouldn't somebody like me for me? I'm a pleasant person. I'm an intelligent person. I'm a good person. I'm not bad looking. Why wouldn't I be able to get somebody to like me?
Well we usually just try to do a mix from all the albums so if somebody just has one they don't get bummed out that they don't hear anything from that record, then a couple songs you'll only hear live. Just kind of wing it you know? And sometimes on a tour you'll get with a set-list you like and you kind of just stick with that.
I want to get paid for doing my job and whoever don't like it or whoever don't give me my just due then that's on them.
I'd like to think that I don't have a stock character that I go to. I'm lucky in that when you get to initiate your own scene, you get to play whoever you want. That's really kind of cool, but all my characters are short. I look on the videotape, and I thought they were taller, but they're all 5'2".
I remember when I was like, 'I want to get another shot.' And some of the other actors on 'Sister, Sister' were like, 'Do you know that's like a 1%, 2% chance for you to get another successful show? That just doesn't happen.' But whenever I hear, 'No,' or 'You can't,' something inside of me just goes, 'Oh no, yes I can!'
It just depends on what's asked of me, but normally I'm looking to make the right, easy play. So if I can get a teammate a layup, if I can get him an open shot, I just think that gets the ball moving and I feel like it makes everybody feel good and we get into a better offensive rhythm.
Next-door a baker's apprentice with his wife, an employee in a printing-shop, she has inflammation of the ovaries. Wonder what those two get out of life? Well, first of all, they get each other, then last Sunday a vaudeville and a film, then this or that club meeting and a visit to his parents. Nothing else? Well now, don't drop dead, sir. Add to that nice weather, bad weather, country picnics, standing in front of the stove, eating breakfast and so on. And what more do you get, you, captain, general, jockey, whoever you are? Don't fool yourself.
When you have the catalog of work, it doesn't feel like you've got one shot to get it right; it's just like, you're making a new document of something at the present time, and it's a living thing, and it changes. It's been cool to help other people make their records, to produce. You get a crash course in things that you don't get as the artist.
I'm the kind of person who if I was playing the role of someone who got shot, I'd probably want to get shot so I knew what it felt like.
I think that's what we don't understand as human beings is this is America. It's a democracy. Once we get whoever we want into the White House, even the person we want to get in the White House doesn't get in the White House. We have every right to not only criticize that person but demand that person does what it is we need to get done. That just happens with us mobilizing and us using our voices to talk to the mayors, the governors and the presidents.
I always like to say just think you were a doctor with only one patient. You might understand how that person gets sick, how they get better, but you understand nothing about the progression of disease or how humans in general get ill. Now take an Earth scientist: you only have one planet to study.
I hadn't studied theatre and I hadn't studied actor training or anything, but I did have a sense of movement and composition, and what the final product would be like, but luckily I had friends who were good actors, who would help me get them, who would get themselves to the place where a good director should get them to build characters.
I treat people who write me the way my friends and I all treat each other when we go to each other for advice, which is sometimes with supreme cruelty. I think that's what helps the advice sink in. If somebody comes at you with both barrels, the first shot opens your head, and the second shot allows the advice to get lodged inside.
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