A Quote by Fred Astaire

It's nice that all the composers have said that nobody interprets a lyric like Fred Astaire. But when it comes to selling records I was never worth anything particularly except as a collector's item.
Fred Astaire. Not a handsome man. He said himself he couldn't sing. He was balding his whole life. He danced like a cheetah runs with the grace of the first creation. I mean, that first week. On one of those days God created Fred Astaire. Saturday maybe, since that was the day for the pictures. When you s Fred you felt better about everything. He was a cure. He was bottled in the films and all around the earth, from Castlebar to Cairo, he healed the halt and the blind. That's the gospel truth. St. Fred. Fred the Redeemer.
I started dancing when I saw Fred Astaire in 'Flying Down to Rio,' at approximately nine years old. Fred Astaire influenced me, more than anything, to be in 'show business.'
I started dancing when I saw Fred Astaire in 'Flying Down to Rio,' at approximately nine years old. Fred Astaire influenced me, more than anything, to be in 'show business.
In America, at the beginning of talkies, they pulled Fred Astaire from the theaters and put him on the screen and had all of these great composers write songs for him. They call it the Great American Songbook; I call it the Fred Astaire Songbook because they were written for him.
I did a dance with Fred Astaire in the movie 'Bandwagon.' I got to waltz just from left of camera to right of camera, and I'm taller than Fred Astaire. Fortunately, I was wearing a long skirt, so I waltzed with bended knees.
I felt Michael Jackson was inspired a little bit more from the elegance of a Fred Astaire. Michael loved Sammy Davis, Jr. and James Brown and Judy Garland and Fred Astaire. But he wasn't any of those people. To be inspired is one thing, but he made it all his own.
I remember vividly seeing 'Tarzan' and Fred Astaire, the Chaplin films, Fred Astaire musicals, MGM, because of my mother. She was just interested in everything and she took me to opera and ballet, and then ballet got me hooked.
My uncle, who was a little more flamboyant, always said the guy who dressed the best was Fred Astaire.
As a little girl, I didn't dream of being a ballet dancer; I dreamt of being a movie star like Ginger Rogers and dancing with Fred Astaire. I used to watch the Sunday double-bills on TV and Iong to be part of what seemed a perfect Disneyland world. Astaire was a genius.
The thing is that my idols have always been the types of guys who could do anything: Gene Kelly, Fred Astaire, Sinatra, Dean Martin; and when you look up to people like that, you don't accept that you need to be compartmentalised.
Dancing, as Fred Astaire said, is next to ditch-digging. You sweat and you slave and the audience doesn't think you have a brain in your head.
Compositionally I always wanted to be like Fred Astaire.
While I was making my solo films, RKO was busily trying to get me and Fred Astaire back together. The studio wanted to capitalize on the success of 'Flying Down to Rio' and realized that the pairing of Rogers and Astaire had moneymaking potential.
For us, selling a million records in 2005 is the equivalent of selling 2 to 3 million records (five years ago). Rock records aren't flying off the shelves like they used to. Hip-hop and pop are so huge. (But) everything's on the upswing for us.
I'm a record collector. I've got over 2000 records. It's so nice for me to have records that are me. That's me on there.
No one around me was obsessed with Fred Astaire except for me. It just snowballed, really. I started with tap lessons. When I didn't have tap shoes, I taped nickels on the bottom of my penny loafers.
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