A Quote by Fred Couples

As far as swing and techniques are concerned, I don't know diddly squat. When I'm playing well, I don't even take aim. — © Fred Couples
As far as swing and techniques are concerned, I don't know diddly squat. When I'm playing well, I don't even take aim.
When I'm playing well, I don't even take aim.
Swing your swing. Not some idea of a swing. Not a swing you saw on TV. Not that swing you wish you had. No, swing your swing. Capable of greatness. Prized only by you. Perfect in it's imperfection. Swing your swing. I know, I did.
I'm far, far, far from that. But of course, that's one of the joys of acting is that you can move up in the world, even if - you know, in the characters that you're playing, even if you don't.
As far as I'm concerned, the stakes are always very high. Whether it's playing at the White House or playing for a group in my own house - you know, one of those soirees I play in. Once I start playing, the stakes are somehow higher, in a way, than any of the context.
When it comes to hitting solid drives, the secret is to swing within yourself. I know that sounds like a cliche, but it's true. If you swing at 100 miles per hour and hit it on the toe, you won't hit the ball as far as you would with an 80-mph swing that catches the ball in the center of the clubface.
The fact of the matter is this: Austin can take his ball, and go home. But as far as The Rock is concerned, as far as I'm concerned, this is home.
I miss playing baseball. Just being able to swing the bat, or run, or dive for a ball, or slide into second. If I could even do that in a softball league, I would never miss anything about baseball. I don't miss the crowds or the travel or even being in the big leagues. I just miss being able to take batting practice and being able to swing as hard as I can. That's all I miss.
I can't do all that riddly diddly stuff. I'm not good enough. It's all about not playing.
What the artist wishes to do — as far as you are concerned — is to take you out of yourself. As far as he is concerned, he wishes to express himself.
Draymond's always talking trash, and he's really good at getting you off your game. He's one of the guys that he'll talk trash, even when you're playing golf. He will knock you off your game... But when you see his swing, you're like, 'How do you talk trash so well, and your swing's this bad?'
Unfortunately, the business is such that, as far as studios are concerned, they judge one quote-unquote black movie on how other ‘black’ movies have done, even if they have nothing to do with each other It’s too bad we can’t do well on our own merit when it comes to the studios. They don’t like to take risks and, unfortunately, we’re still considered a huge risk, even though I don’t think we are.
As far as I'm concerned, the essentials of jazz are: melodic improvisation, melodic invention, swing, and instrumental personality.
I try to keep it real simple. I try not to add a lot of frosting on what I'm doing. Just take the swing and don't muscle the swing, because if you get in the hitting position and you take the swing, I generate a lot more bat speed, and that works for me.
I want to take it really far in Spanish; even non-Spanish speakers listen to my music across the world. Even though they don't know what I'm saying, they really feel it. We want to take it to another level and keep building our name. We want to take it really far just in Spanish.
I have played several characters that are crabby and cranky. I don't know if I'm just not a very well-developed human being or if I don't know myself very well, but I tend to find I can take on elements of the characters that I'm playing. When I was playing a character like Becky Freeley in Miss Guided found that I was insanely positive and happy all the time.
We think it's about little techniques and tricks, but techniques only take you so far. We need teachers who care about kids, who care about what they teach, and who can communicate with kids.
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