A Quote by Fred Couples

I think people like players they can relate to. It seems as if people think they know me. I just think I'm an ordinary Joe who plays golf very, very well. — © Fred Couples
I think people like players they can relate to. It seems as if people think they know me. I just think I'm an ordinary Joe who plays golf very, very well.
I think people always criticise Mesut because they think his attitude on the pitch is not a good one, that he doesn't care that much. But I think people just struggle to accept that you can have the more emotional kind of players, the more aggressive ones and you have players like him, you know, that need maybe this calmness for their game.
I think people were very skeptical always when they said, "Oh docs, they don't work. When you make depressing docs that don't have 'save this or save that,' they just can't do well." I fought very hard to say, "No. This is important. I think people care and I think it's interesting." I hope people go see it.
Ultimately, we as a band just write what we write. Some of it's very serious, and even in the serious songs, there's sometimes an angle of levity. I think that's just how we communicate naturally and to shy away from that would be, first of all, boring for me, but also it wouldn't ring true to who I am or the way I relate to people or the way we relate to people as a band or the way we relate to the audience. Humor is a big part of it, but we also take our craft very seriously.
I think Chris Paul is a great player. He is very unselfish and plays very hard, so he would be a guy if he plays. I think his hand is still questionable, though. I hear they are talking about resting him that weekend. I'm excited to play with all the guys. Marvin Williams is starting to play well, and Salim Stoudamire, I think he should be there.
I find it very difficult to do anything on my own now because people recognize me. This has never happened to me before because I haven't really done television before. But I suppose if you're in people's rooms all the time, I don't know - I was thinking the other night with people like DiCaprio and, you know, those big stars and Cate Blanchett, and you just think how did they exist? It's so difficult. And I think now it's very intrusive because of these cellphones, you know, with cameras.
It's very important to me that people know that depression doesn't discriminate. A lot of people look at people who have depression and think that it's not legitimate because they're wealthy or it looks like everything seems to be doing fine. But it doesn't pick and choose. It can affect anybody in the brain, no matter how perfect your life seems.
Everyone gets surprised because neither one of my parents play golf. Like I said in my speech, my aunt and uncle really love golf, and we visited them, and she gave me two clubs. Like people think when they don't know who my dad is, they think he's my coach.
I don't know anything that gives me greater pleasure, or profit either, than talking or listening to philosophy. But when it comes to ordinary conversation, such as the stuff you talk about financiers and the money market, well, I find it pretty tiresome personally, and I feel sorry that my friends should think they're being very busy when they're really doing absolutely nothing. Of course, I know your idea of me: you think I'm just a poor unfortunate, and I shouldn't wonder if your right. But then I dont THINK that you're unfortunate - I know you are.
There are some people who become best friends with everyone they photograph. There are people that I really like and admire and respect, but in a way I think it's better to keep a distance. I think you get better pictures of people that you don't know very well.
People can think what they want to think, I don't go after people. I think most people I talk to, like me, are very quiet and keep to themselves, they maintain their lives.
Why is composing symphonies tough? I don't know. It's just very few people in the world can do it well. And I think that's the case with upfront design. It is very hard to do well.
I think that the drama of people rising up demanding their own freedom is one that resonates very deeply with America. I think that President Barack Obama has tried and would like to find a way to relate to the Arab Spring, but I think he also wants to be, rightly, very careful that we don't take it over. It is very important that they own this. He is trying to influence it this way but without, "We're so never going to go to the extreme of Iraq and putting boots on the ground again."
[Marla, Shar and I] all have had very public breakups, so I think people know they can relate with us in one way or another. And this is one of the few reality shows where they didn't have the cameras right in people's faces. Like when we were sitting around the table talking with the divorced people, the cameras were way back. And we just listened. Sometimes people just need an ear.
I have tons of stuff that, you know, seems like it's a well-constructed sentence but it is not how people talk, it's how people write. So that's why I think it's sometimes easier for me to write for actors 'cause I know what's frustrating about, you know, sentences that come out just perfect. Well, who talks like that? And who of us don't overlap each other? Except on the radio, hopefully.
I like writing people from a slightly sharp angle and then throwing more light on them. I think in life we see somebody and make judgments very quickly about who they are and what they are. Or we think people are boring because they appear ordinary.
People think Paris [Hilton] is a ditzy blond, and I don't want to blow it for her, but she plays it really well. She knows exactly what she's doing. She's actually a pretty smart person. She's very cognizant of what she's doing, and she kind of plays that role, so people think she's some airhead but she's really not.
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